50 Reasons Why Jack Nicholson Could Be The Greatest Living Actor

26. A Pro

He admits to never missing a day's work through illness and says that he's professionally cold enough not to allow outside intrusions interfere with business at hand. Yes, even a Lakers' game! €”€”€”€”€”€”€”€”€”€”€”€”€”€”€”€”€”€”€”€”€”€”€”€”€”€”€”€“

27. Rose From Obscurity

Before the Hollywood limelight Nicholson was just another jobbing actor in a series of cheap Roger Corman productions. His debut was in the titular role of The Cry Baby Killer in 1958, which led to a small but significant part in Little Shop of Horrors and then as the lead in out-and-out horror pics The Raven, The Terror and St Valentine's Day Massacre. Then Monte Hellman directed him in the box-office disasters Ride in the Whirlwind and The Shooting. Despite an acting career going no where Nicholson remained determined and managed to rise from obscurity with a scene-stealing role in Easy Rider. And the rest, as they say, is history. €”€”€”€”€”€”€”€”€”€”€”€”€”€”€”€”€”€”€”€”€”€”€”€”€”€”€”€“

28. David Locke in The Passenger (1975)

Due to screening restrictions imposed upon its filmmaker Michelangelo Antonioni, The Passenger is a relatively new Nicholson discovery. The actor is quite simply a sensation as a frustrated war correspondent who takes the risky decision to adopt the identity of a dead arms dealer companion in this tense Hitchcockian thriller. €”€”€”€”€”€”€”€”€”€”€”€”€”€”€”€”€”€”€”€”€”€”€”€”€”€”€”€“

29. Terrifyingly Funny

Nicholson is often as funny as he is scary. He's a master at combining both personas to come up with terrifyingly funny characterisations. Examples are his manic novelist Jack Torrance reciting 'The Three Little Pigs' in The Shining, playing a sex crazed devil in The Witches of Eastwick or simultaneously sending shivers down the spine whilst pulling funny rat faces in The Departed. http://www.youtube.com/watch?v=EL-L050DXeM €”€”€”€”€”€”€”€”€”€”€”€”€”€”€”€”€”€”€”€”€”€”€”€”€”€”€”€“

30. A Director Too!

Most great actors have dabbled behind the camera and Jack is no exception. There are three directorial credits to his name: sporting drama Drive, He Said, (1971), western Goin' South (1978) and the Chinatown sequel The Two Jakes (1990). Ok so none of the three are his best remembered films but when he had a story he wanted to tell, he made sure it was brought to the big screen.
Contributor

Oliver Pfeiffer is a freelance writer who trained at the British Film Institute. He joined OWF in 2007 and now contributes as a Features Writer. Since becoming Obsessed with Film he has interviewed such diverse talents as actors Keanu Reeves, Tobin Bell, Dave Prowse and Naomie Harris, new Hammer Studios Head Simon Oakes and Hollywood filmmakers James Mangold, Scott Derrickson and Uk director Justin Chadwick. Previously he contributed to dimsum.co.uk and has had other articles published in Empire, Hecklerspray, Se7en Magazine, Pop Matters, The Fulham & Hammersmith Chronicle and more recently SciFiNow Magazine and The Guardian. He loves anything directed by Cronenberg, Lynch, Weir, Haneke, Herzog, Kubrick and Hitchcock and always has time for Hammer horror films, Ealing comedies and those twisted Giallo movies. His blog is: http://sites.google.com/site/oliverpfeiffer102/