The Best Movie Of Each Year From 1925-2025

29. 1997 - Men In Black

Men In Black
Columbia Pictures

Honourable Mentions: Boogie Nights, Jackie Brown, L.A. Confidential

Men in Black is a perfect movie. Mr. Jones. Mr. Smith. Galaxy Defenders. Need I say more?

Nineties blockbusters don't get any better or more definitive, thanks to the ineffable appeal of Will Smith at his post-Fresh Prince peak, Tommy Lee Jones delivering an all-timer straight man routine, and Barry Sonnenfeld directing from a pitch-perfect Ed Solomon script. Add to the mix some defining practical and digital VFX work, a never-better Rip Torn and a legitimate tour-de-force example of physical comedy from Vincent D'Onofrio as Edgar the Bug, and you have a more-than-worthy entry in the pantheon of the decade's best, even when taking into account it premiered the same year as Boogie Nights, Jackie Brown, and L.A. Confidential.

The real splendour of Men in Black isn't just that it so effortlessly taps into the quirkiness of New York City or even that it includes the first (and best) Smith-fronted movie song accompaniment, but rather that it's so sincere. It is a comedy first and foremost, yes, but Sonnenfeld treats the material with the same affection he did with his Addams Family films. It has something of a Ghostbusters about it, in that way. Humour is present, and it is supremely funny, but it arrives organically from the premise and characters rather than from a place of insecurity that would only serve to undermine its foundations.

Our incredulous audience surrogate, Smith's Agent J, is charmed so completely and utterly into the world of MiB in the first act and with him so are we. Jones' stone-faced rigidity - which breaks in these sweet little moments of affection, humour, and vulnerability - proves the perfect pitch salesman for the world we're about to embark into, and it arrives in the form of an emotional plea that cements the duo's relationship as an all-timer in the buddy cop rankings.

Imagine what you'll know tomorrow.

 
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WhatCulture's very own resident movie guy, Ewan has been working in the content creation biz for over 10 years now, having started as a freelance contributor to WhatCulture Gaming all the way back in 2015. After graduating with a First-Class Honours in History from Northumbria University in 2017 (where he won a prize for a totally killer dissertation on the Watergate years), Ewan took on the role of Comics Editor at WhatCulture and quickly developed WhatCulture Comics into one of the biggest superhero-focused channels on YouTube. He followed this with a brief hiatus at Screen Rant in 2021, where he worked across the Gaming and Film sections as a writer and editor, before returning to WhatCulture as a Senior Content Producer / Presenter in 2023. He started his own podcast, We Love Dad Movies, in 2022, and has contributed several written pieces to the Eisner-nominated comics website Shelfdust as well. In his current role, Ewan incorporates his love of cinema, comic books, and history into written pieces and video essays for WhatCulture's Film & TV channel, as well as WhatCulture Gaming and WhatCulture Horror, with a particular focus on nineties-era Dad Movies, old school Westerns, and Golden Age Hollywood Noir. John Carpenter is his fave, and he thinks Batman Beyond should never have been cancelled. If that's your vibe, you'll probably like his stuff.