Evil Dead: The Best (and Worst) Horror Has To Offer

evil-dead-feat (1) The second part of this element is the John Carpenter (Halloween) question. Carpenter always said that part of his filmmaking philosophy was that showing explicit violence onscreen actually might be unnecessary in horror. He argued that our minds can do much worse on their own. We don€™t have to see someone€™s limbs cut off to be able to envision it happening and have a reaction to that. This, then, might be one of the most important questions for modern horror audiences to answer, especially in the wake of the €˜torture porn€™ fad of films in the last decade. Where do we land on it, and where should we land? Is Evil Dead true to the spirit of horror filmmaking, or is it missing the point entirely? Evil Dead is certainly an improvement on the original film, but it is far from a perfect movie. The amalgamation of elements present in the film makes it rich fodder for discussion amid horror fans. Really, it prompts us as the audience to ask what we think makes a truly great horror film. Is it enough to have impressive levels of jump scares and violence, even if the characters onscreen are poorly drawn and don€™t truly engage us? Or do we need something more? Personally, I say the latter. Horror and terror only truly get under your skin when you can identify with the characters who are suffering from it. Otherwise, you might be justifiably impressed by the filmmaking, but it isn€™t a truly great expression of horror itself without the balance between characterization and action. In some ways, it is a retreat from the gory, vicious, and exploitative trend of torture-porn films €“ but it is also a step up from the jump-scare-a-minute horror of franchises like Paranormal Activity. Even with its particular flaws, Evil Dead is exciting because it tries to be something fresh and viscerally terrifying while still paying homage to the classic form of horror filmmaking that inspired it. What do you think? Was Evil Dead 2013 great, terrible, or something in between? And what is it that makes a truly great horror movie? Sound off in the comments below!
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Matt is a freelance writer and aspiring TV and film scriptwriter. He has a bizarrely eclectic skillset, and the interests to match. Find more of his work and ramblings over at the Breakwater Industries page on Facebook. He is a regular contributor to WhatCulture.com, and his work has also appeared in the essay collection "Joss Whedon: The Complete Companion", published by Titan Books.