Oppenheimer Review: 8 Ups & 2 Downs
4. Ludwig Göransson's Score Is Suitably Terrifying
It's ironic how Oppenheimer's greatest weakness is also one of its greatest strengths - sound. Even though the score can be overwhelming at times, there's no question Ludwig's Göransson's audio skills enhance this story.
As our titular character is overburdened with responsibility, the crackling of radiation is mixed in with the music, to emphasise the turbulence within Oppenheimer's mind and life. The sound effects are so deeply entrenched in each frame, Göransson's music feels more like a character than a tool.
As has been mentioned, the sound can be pointlessly loud occasionally, rendering it impossible to hear the dialogue. Despite the fact this can be frustrating, there are plenty of moments where this decision pays off.
While the titular physicist speaks to a crowd about the success of the Japanese bombing, their questions are nullified by the sound of an explosive blast which is only audible to Oppenheimer's ears. We can't hear what the audience is saying, but it doesn't matter, since the scene is about Oppenheimer's internal struggle, which is perfectly accentuated by the overbearing score.