Star Wars: 10 Reasons The Prequel Trilogy Is Better Than You Remember

It's difficult to refrain from using the word 'iconic' when discussing the original trilogy, but nothing else seems fitting when talking about characters like Darth Vader, locations such as Hoth and Endor, or how Luke perfectly encapsulates the Hero's journey.

When mentioning John Williams' original score though, iconic seems to be only word that fits. The Imperial March has transcended the films and even those not familiar with Star Wars recognise that tune. A good score in any movie can elevate that picture to a new level, while really enriching the experience as a whole, and the original trilogy delivers in this area.

The prequels certainly aren't lacking in this department either, and John Williams clearly wasn't content with riding off the coattails of his previous work. Battle of the Heroes utilises subtle cues from The Imperial March, Padme's Ruminations features unsettling synths signifying Anakin's decision to embrace the dark side, and the finale of Attack of the Clones perfectly conveys the feelings of mixed emotions regarding Anakin and Padme's wedding. The horns are initially uplifting, but the feeling of dread and anxiety remains present, ending the film on a note of uncertainty and doubt over the future.

Of course, it's impossible to discuss the score of the prequel trilogy without mentioning Duel of the Fates. After a somewhat slow burn throughout The Phantom Menace, Duel of the Fates demands your attention and the orchestral chorus couldn't be more fitting as Darth Maul and the Sith make their return clear to the Jedi. Nothing may dethrone The Imperial March as the top dog of Star Wars music, but Duel of the Fates certainly comes very close.