Taxi Driver - What Does The Ending Really Mean?

2. The Anatomy Of A Vigilante

Robert de niro taxi driver
Colombia Pictures

In order to understand Taxi Driver's ending we must first consider the character of Travis Bickle, and his real-life inspiration. First and foremost, Bickle is a veteran of the Vietnam War - a trauma the American public were decades away from reconciling with - and a cabbie in New York City. Perception at the time saw the US as a nation in decline, with crisis after crisis typifying the milieu, and New York - to many - was at its centre; crime, law and order were the hot-button issues of the day, exemplified most, perhaps, by the Son of Sam murders that took place the very summer Taxi Driver premiered in theatres.

De Niro's character thus occupies a unique importance in the seventies zeitgeist. His is a warpath spawned from the trauma of Vietnam, of assassinations and paranoia, and so thematically, it makes little to no sense to give Bickle a happy ending. One could certainly interpret the positive reception that greets his vigilantism as a satire of the nation's (and Hollywood's) fascination with law and order, with Bickle's ending glance and the inevitable repetition of the cycle a condemnation of his methods - but the point is to show it all as a dreamlike fantasy.

Assassins aren't celebrated by the masses - they're vilified. And though Bickle pursues the brothel alone, it was only hours before that he'd attempted to assassinate political candidate Charles Palantine. This was a fact the authorities were undoubtedly aware of, so it would be impossible for Bickle to return to his life as it was before, let alone a life he felt compelled to depart mere days earlier.

So, both logically and thematically, there is no basis for Travis to emerge after his shootout as a hero. But where does that leave the character? With the ending likely a fantasy or some other dream sequence, what actually happens to our eponymous cabbie as he's succumbing to his wounds?

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WhatCulture's very own resident movie guy, Ewan has been working in the content creation biz for over 10 years now, having started as a freelance contributor to WhatCulture Gaming all the way back in 2015. After graduating with a First-Class Honours in History from Northumbria University in 2017 (where he won a prize for a totally killer dissertation on the Watergate years), Ewan took on the role of Comics Editor at WhatCulture and quickly developed WhatCulture Comics into one of the biggest superhero-focused channels on YouTube. He followed this with a brief hiatus at Screen Rant in 2021, where he worked across the Gaming and Film sections as a writer and editor, before returning to WhatCulture as a Senior Content Producer / Presenter in 2023. He started his own podcast, We Love Dad Movies, in 2022, and has contributed several written pieces to the Eisner-nominated comics website Shelfdust as well. In his current role, Ewan incorporates his love of cinema, comic books, and history into written pieces and video essays for WhatCulture's Film & TV channel, as well as WhatCulture Gaming and WhatCulture Horror, with a particular focus on nineties-era Dad Movies, old school Westerns, and Golden Age Hollywood Noir. John Carpenter is his fave, and he thinks Batman Beyond should never have been cancelled. If that's your vibe, you'll probably like his stuff.