Taxi Driver - What Does The Ending Really Mean?

1. Does Travis Die?

Taxi Driver
Colombia Pictures

Taxi Driver is a surreal feature from start to finish, and this was very much Scorsese's intention. In the Faber & Faber book, Scorsese on Scorsese, the director speaks of his desire to instil a sense of surrealism to the proceedings, and how it manifests in the character of Travis, who he refers to as an "avenging angel" of sorts. When taken together, these two elements lend Taxi Driver a dreamlike quality, and nowhere is this more apparent than during the film's climax.

Travis enters the brothel like a man with a death wish, but there's also another way to look at it. This is a man so deluded, so self-righteous, that he believes he can walk out of this place alive, despite the fact he's easily outgunned. Scorsese has previously mentioned that Bickle's attempted suicide was also meant as a reference to rituals practiced by Samurai, lending more weight to the former interpretation, but it could also be the case that Bickle's wartime experiences have come back to haunt him; he'd rather kill himself than be captured, a reality the veteran no doubt faced day to day as a Marine in Vietnam.

This is what makes the prospect that he survived his encounter at the end such an unlikely one. The way the violence is framed by Michael Chapman exemplifies the film's surreal nature in the extreme, playing out in dreamlike fashion as the colour desaturates, and Bickle takes blow after blow from his targets.

Then, all of a sudden, time stands still. Bickle bleeds out on the bed (moments after trying to shoot himself in the head), and the camera pans backwards to unveil the carnage lying in his wake. It's in this moment that the story of Travis Bickle comes to an end. Visions of his heroic reception only reiterate the tragedy of his delusion, and that, in reality, the Travis Bickles of the world aren't revered - they're reviled.

What do you think happens in Taxi Driver's ending? Does Travis really die? Sound off in the comments below!

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WhatCulture's very own resident movie guy, Ewan has been working in the content creation biz for over 10 years now, having started as a freelance contributor to WhatCulture Gaming all the way back in 2015. After graduating with a First-Class Honours in History from Northumbria University in 2017 (where he won a prize for a totally killer dissertation on the Watergate years), Ewan took on the role of Comics Editor at WhatCulture and quickly developed WhatCulture Comics into one of the biggest superhero-focused channels on YouTube. He followed this with a brief hiatus at Screen Rant in 2021, where he worked across the Gaming and Film sections as a writer and editor, before returning to WhatCulture as a Senior Content Producer / Presenter in 2023. He started his own podcast, We Love Dad Movies, in 2022, and has contributed several written pieces to the Eisner-nominated comics website Shelfdust as well. In his current role, Ewan incorporates his love of cinema, comic books, and history into written pieces and video essays for WhatCulture's Film & TV channel, as well as WhatCulture Gaming and WhatCulture Horror, with a particular focus on nineties-era Dad Movies, old school Westerns, and Golden Age Hollywood Noir. John Carpenter is his fave, and he thinks Batman Beyond should never have been cancelled. If that's your vibe, you'll probably like his stuff.