The Dark Knight Rises: 20 Blunders in Chris Nolan’s Trilogy

19. Motivation

In Batman Begins, his motivation was clear. Through some pretty classy flash-backage, we were invited to take a long look at the plight of the man behind the cowl, and come to our own realisations about what it meant for the character and what it€™d mean to us if we were him. We experienced his training and beheld his immense willpower and dedication to his personal code. We looked into his eyes and saw the seeds of the Batman coming to fruition. As a Batman fan, it represented for me the closest any movie had come yet to breathing life into the character. The Dark Knight explored little snippets of that, but most of the 2 hour screen-time was dedicated to the slowly convoluting plot which followed Dent€™s brief origin as Two-Face and Heath Ledger€™s incredible turn as The Joker. This you€™ll never hear me complain about; for all my gripes about the franchise, I can€™t find a single fault in Ledger€™s second-to-final performance, from any angle. But what was Batman€™s motivation in The Dark Knight? This is arguably one of the things we paid hard earned cash to find out. To stop the Joker. Why? Because he was the bad guy. And unfortunately that€™s about all we have time for. The Dark Knight Rises all but completely dispensed with any rational explanation of anyone€™s motivation. Why did Batman take an eight year hiatus? Because Gotham wasn€™t his friend no more. Why did Catwoman get herself involved? Some nonsense about a computer program (despite the fact that they kiss, her romantic attraction to the Batman was given about .4 seconds of development). Why was Bane so poetically linked to the Batman? He just was, stop asking questions. With so many clumsily inserted connections between characters, and so little time dedicated to each one, it was hard to pin down exactly why anyone was really doing anything. And without that, how do we ever relate to the franchise as a whole, on a human level? For me, A-list performances, pacey action and stylish cinematography do little to remedy a vacuous story.
Contributor
Contributor

Stuart believes that the pen is mightier than the sword, but still he insists on using a keyboard.