The Main Issue With Each MCU Phase 4 Entry (So Far)

The sequel to Stephen Strange’s debut is definitely one of the MCU’s most eccentric and visually compelling features and this is due to Sam Raimi’s always capable directing and masterful horror sensibilities. In addition to this, the film benefits from strong performances from Benedict Cumberbatch and Elizabeth Olsen and is not afraid to get weird or unsettling (at least as far as MCU properties are concerned).

Unfortunately, the film’s narrative structure is built on a rather weak foundation and seems to be a victim of dreaded studio notes and/or reshoots. Its pacing is all over the place and does not give the film’s events to breathe and settle in, thus ensuring that their impact is lessened by a story that is too eager to get to the next action set piece, cameo or reveal.

Furthermore, the film's emotional component felt rather inert due to its dizzying pacing. While Wanda's story was gripping (mostly due to Olsen's performance), Stephen's musings on his happiness and choices as a Master of the Mystic Arts fell a bit flat.

In hindsight, the film may have been more compelling had it placed a sharper focus on plot beats such as Stephen and Christine Palmer (Rachel McAdams)'s relationship and his antagonistic connection to Baron Mordo (Chiwetel Ejiofor), and then work towards a multiversal conflict with the likes of Wanda and America Chavez in a later film.