Why Deadpool 2 Is The Best X-Men Movie Yet

1. It Realises The X-Men's Metaphor (While Acknowledging Its Own Shortcomings)

Fox

Despite its unwavering dedication to the essence of nineties X-Men, Deadpool 2 doesn't pull its punches when it comes to the franchise's earlier incarnations. Wade bemoans the team as an "outdated metaphor for the Civil Rights Movement" and, in some respects, he's correct. Although the X-Men have seemingly epitomised Marvel's unwavering dedication to depict "the world outside your window", the metaphor has fallen way short on countless occasions.

Despite being an allegory for the African American Freedom Struggle, the original X-Men didn't feature a single person of colour. When you consider too that the anti-villain and the ostensible antagonist of the comic - the Master of Magnet himself, Magneto - actually has a valid point regarding liberation struggle, as well as the effectiveness of Charles Xavier's strategies, the problem is only exacerbated further.

That doesn't mean that the comic lacks heart however. Yes, certain aspects of the allegory fall way short of expectation, but the X-Men today are a vastly different group to the one of yesteryear, comprised of mutants of various ethnicity, sexuality, gender and upbringing. Deadpool 2 acknowledges this, doing in two years what Marvel are still yet to by including the superhero genre's first big-screen LGBT* couple in Negasonic Teenage Warhead and Yukio, and also by alluding to Wade's canonical pansexuality by having the merc' openly flirt with the X-Men's Colossus (even if it is played mostly for laughs).

Deadpool 2 Negasonic Teenage Warhead Yukio
Fox

Yes, it could be better, but Deadpool 2 is a product visibly conscious of its source material. Dennison's character bemoans the hypocrisy of the X-Men by mentioning that there are no plus-sized heroes, and the aforementioned Xavier metaphor of passive resistance is blown to pieces in a fantastic sequence whereby the Headmaster is pulverised by Dopinder's car in the finale.

In that sense, yes, Deadpool 2's irreverence allows it to address the shortcomings of one of the medium's most famous metaphors. It goes further, however, by improving upon it - enshrining the feature as one of the most compelling X-works of the modern era and, in more than one way, as the franchise's best entry to date.

What did you think of Deadpool 2? Be sure to let us know in the comments below!

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Content Producer/Presenter

WhatCulture's very own resident movie guy, Ewan has been working in the content creation biz for over 10 years now, having started as a freelance contributor to WhatCulture Gaming all the way back in 2015. After graduating with a First-Class Honours in History from Northumbria University in 2017 (where he won a prize for a totally killer dissertation on the Watergate years), Ewan took on the role of Comics Editor at WhatCulture and quickly developed WhatCulture Comics into one of the biggest superhero-focused channels on YouTube. He followed this with a brief hiatus at Screen Rant in 2021, where he worked across the Gaming and Film sections as a writer and editor, before returning to WhatCulture as a Senior Content Producer / Presenter in 2023. He started his own podcast, We Love Dad Movies, in 2022, and has contributed several written pieces to the Eisner-nominated comics website Shelfdust as well. In his current role, Ewan incorporates his love of cinema, comic books, and history into written pieces and video essays for WhatCulture's Film & TV channel, as well as WhatCulture Gaming and WhatCulture Horror, with a particular focus on nineties-era Dad Movies, old school Westerns, and Golden Age Hollywood Noir. John Carpenter is his fave, and he thinks Batman Beyond should never have been cancelled. If that's your vibe, you'll probably like his stuff.