Why Halloween (2018) Is Scarier Than You Think

5. The Night HE Came Home...

Compass International Pictures

In order to understand Michael as he is today, we must first understand the character as he was forty years ago - an institutionalised 20-something who returned to the town of his birth to relive his most impactful childhood memory, and terrorise Middle America in the process.

There are plenty of reasons for why Michael Myers is the horror genre's most terrifying figure - the fact he kills without rhyme or reason, his ghostly movement and that iconic mask - but one of the biggest stems from the fact this horrifying journey all began at the tender age of six. The murder of Judith Myers is so unnerving because it stems from the most sterile image of America that can be conjured - a young child, raised in a suburban town in the middle of the country, dressing up for a cherished holiday. Carpenter himself conceived of Halloween's story by drawing from the idea that every town has its secret - "there's always a house down the lane that somebody was killed in, or that somebody went crazy in" - and that's what makes it such an effective piece of cinema; Haddonfield, in essence, could be anyone's town. All that's missing is a freshly baked pie cooling on an open windowsill.

But there's another side of the coin with Halloween, and it lies in the genesis of Michael Myers. According to Carpenter, the idea for the character stemmed from a visit he'd undertaken to a Kentucky Institution, where he witnessed a young boy with a blank, expressionless stare. This would later inform Doctor Loomis' iconic description of the character during the second half of the film, although there's something just as important that should be noted.

Myers is institutionalised at a young age, and when he breaks out, he retains an almost childlike persona. The first thing on his agenda once he breaks out is to break into a halloween store and steal a mask, before he travels to the home of his parents. He literally retraces his steps, and then cruelly, methodically, stalks the first person he happens upon. He toys with his victims in a ruthless game of hide and seek, just as he did in 1963 with his sister, because it's all he knows, and all he's been waiting for.

It's also the chief reason for why Halloween is so terrifying, and though it may not seem that way at first, it too informs the new sequel in a pretty significant way.

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Content Producer/Presenter

WhatCulture's very own resident movie guy, Ewan has been working in the content creation biz for over 10 years now, having started as a freelance contributor to WhatCulture Gaming all the way back in 2015. After graduating with a First-Class Honours in History from Northumbria University in 2017 (where he won a prize for a totally killer dissertation on the Watergate years), Ewan took on the role of Comics Editor at WhatCulture and quickly developed WhatCulture Comics into one of the biggest superhero-focused channels on YouTube. He followed this with a brief hiatus at Screen Rant in 2021, where he worked across the Gaming and Film sections as a writer and editor, before returning to WhatCulture as a Senior Content Producer / Presenter in 2023. He started his own podcast, We Love Dad Movies, in 2022, and has contributed several written pieces to the Eisner-nominated comics website Shelfdust as well. In his current role, Ewan incorporates his love of cinema, comic books, and history into written pieces and video essays for WhatCulture's Film & TV channel, as well as WhatCulture Gaming and WhatCulture Horror, with a particular focus on nineties-era Dad Movies, old school Westerns, and Golden Age Hollywood Noir. John Carpenter is his fave, and he thinks Batman Beyond should never have been cancelled. If that's your vibe, you'll probably like his stuff.