Why Halloween (2018) Is Scarier Than You Think

1. How Ruthless Brutality Became Michael's Defining Trait

Halloween 2018 Michael Myers Closet Kill
Universal Pictures

There's a striking moment that occurs midway through the new Halloween, where Michael first arrives in Haddonfield. The film has recently wrapped up its terrifying truck stop sequence (what many would consider its scariest moment), and Myers has returned home once again. He walks along the street, until he bumps into a couple of trick-or-treaters, and then slowly turns a corner. He finds a hammer, enters the closest home to him, and brutally murders the only adult occupant inside. Immediately after, he picks up a kitchen knife resting on a table, and moves onto the house next door, repeating the process as a young woman begins to settle down for the evening.

First of all, there are many similarities between this sequence and the opening shot in the Carpenter movie. It's all accomplished in one take, there are two moments where perspective switches to the killer's point of view, and it even mirrors certain sound effects from the original film. It's a textbook homage to Carpenter and Hill's classic (with a brief nod to Halloween II's opening as well), but it also illustrates how cold, brutal, and ruthless Myers is.

Sure, there's an argument to be made that this devolves the film into 'more splatter, less slasher', but it's just as effective. It's also done in a way that retains The Shape's signature spookiness, while at the same time elevating the character to new levels of brutality in a brand new context - one that places the Babysitter Murders, and not the murder of Judith, as Myers' defining event.

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Content Producer/Presenter

WhatCulture's very own resident movie guy, Ewan has been working in the content creation biz for over 10 years now, having started as a freelance contributor to WhatCulture Gaming all the way back in 2015. After graduating with a First-Class Honours in History from Northumbria University in 2017 (where he won a prize for a totally killer dissertation on the Watergate years), Ewan took on the role of Comics Editor at WhatCulture and quickly developed WhatCulture Comics into one of the biggest superhero-focused channels on YouTube. He followed this with a brief hiatus at Screen Rant in 2021, where he worked across the Gaming and Film sections as a writer and editor, before returning to WhatCulture as a Senior Content Producer / Presenter in 2023. He started his own podcast, We Love Dad Movies, in 2022, and has contributed several written pieces to the Eisner-nominated comics website Shelfdust as well. In his current role, Ewan incorporates his love of cinema, comic books, and history into written pieces and video essays for WhatCulture's Film & TV channel, as well as WhatCulture Gaming and WhatCulture Horror, with a particular focus on nineties-era Dad Movies, old school Westerns, and Golden Age Hollywood Noir. John Carpenter is his fave, and he thinks Batman Beyond should never have been cancelled. If that's your vibe, you'll probably like his stuff.