10 Best Pop Albums Of 2018

3. The 1975 - A Brief Inquiry Into Online Relationships

Matty Healy’s brazen contradictions and complications as a songwriter are again showcased in an album that simultaneously engulfs the soul with the pace of a forest fire then blackens the brain like the dud and dulled match-head that started the blaze. The wild meandering undertaking is epic in scale, however, because it’s all The 1975 now seem capable of. "A Brief Inquiry Into Online Relationships" is, subsequently, an irresistible and iridescent triumph.

Audacious comparisons to other acts could be made through experimentations with electronica, dance and jazz, but why tie other artists to The 1975 when the The 1975 clearly need only themselves for inspiration. The album is loaded with groundbreaking gesticulations about love and other drugs, as singer Healy grapples with his two biggest vices whilst simultaneously working on a self-effacing emotional unravelling.

In that regard, he has captured the bittersweet tonic of life’s hardest challenges and how they yield the most satisfying rewards. Survive the woozy succour of How To Draw/Petrichor and you’ll eventually be gifted the addicted and addicted anthem It’s Not Living If It’s Not With You. Grit your teeth at the pernicious and precocious Be My Mistake and the sublime Sincerity Is Scary awaits just seconds later as reward to right the wrongs.

More “okay Google” than OK Computer, The Man Who Married A Robot is a kindergarten-quality lament about technology’s ills so painfully on the f*cking nose it might as well have been ripped from Michael Jackson’s cadaver. However, Love It If We Made It is, in contrast, an MJ-sized masterpiece. A masterpiece. Tackling the dystopian isolation and destruction of capitalism through the prism of (what else?) sex and drugs - though the absurdly fierce opening salvo would make even the palest faced incarnation of ‘The King Of Pop’ blush.

Never content with being remembered as just this decade’s indie pop darlings, The 1975 have instead transcended the genre and the industry at large. Ill-reflected as "just" the most vital big arena band of their time, their continuous journey to the centre of what's left of this earth remains endlessly fascinating to explore alongside them.

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Michael is a writer, editor, podcaster and presenter for WhatCulture Wrestling, and has been with the organisation nearly 8 years. He primarily produces written, audio and video content on WWE and AEW, but also provides knowledge and insights on all aspects of the wrestling industry thanks to a passion for it dating back over 35 years. As one third of "The Dadley Boyz" Michael has contributed to the huge rise in popularity of the WhatCulture Wrestling Podcast and its accompanying YouTube channel, earning it top spot in the UK's wrestling podcast charts with well over 62,000,000 total downloads. He has been featured as a wrestling analyst for the Tampa Bay Times, GRAPPL, GCP, Poisonrana and Sports Guys Talking Wrestling, and has covered milestone events in New York, Dallas, Las Vegas, Philadelphia, London and Cardiff. Michael's background in media stretches beyond wrestling coverage, with a degree in Journalism from the University Of Sunderland (2:1) and a series of published articles in sports, music and culture magazines The Crack, A Love Supreme and Pilot. When not offering his voice up for daily wrestling podcasts, he can be found losing it singing far too loud watching his favourite bands play live. Follow him on X/Twitter - @MichaelHamflett

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