7 Classic Songs Whose Verses Outshine Their Choruses

2. Tap Out €“ The Strokes

The opener to The Strokes€™ new (and sorely disappointing) fifth effort is an interesting 80s throwback €“ Julian Casablancas has never sounded less like himself €“ and once you€™ve got over (once again) the new style of the New York ex-garage rockers, there is a lot to be salvaged from €˜Tap Out€™. It kicks off with a groovy riff and the sky-high vocals shimmy in surprisingly fittingly, but as it builds to what could be an explosive chorus, the song lets itself down somewhat. What could have been a bold and electrifying climax ends up sounding inferior to the build-up. By no means a classic song, but a very good example of musicians shooting themselves in the foot mid-track. There€™s a great solo in there, though.

1. The Killing Moon €“ Echo And The Bunnymen

The €˜fate, up against your will€€™ croon is undoubtedly invigorating, but the staying power of this classic Echo track is its darkly enchanting verses, which are tonally closer to the band€™s post-punk sound than the uplifting chorus. So not a bad refrain by any stretch of the imagination €“ just inferior when slotted in between such haunting verses.
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A mythical hedonist, a chronic solipsist, a poet armed with a mouth full of adjectives, a brain full of adverbs and a box full of laxatives. Writing words in a language that isn't real to impress people that I invented since The Big Bang.