10 Best TV Episodes Set In Just One Room

Confined to a single location, these small-scale episodes leave a massive impact.

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Thanks to ever-increasing budgets, television is becoming increasingly cinematic these days: high production values, beautiful location filming, dozens upon dozens of bespoke sets. And that's fantastic... until the money runs dry. But the TV industry has long had a solution to this problem, and it's affectionately known as a "bottle episode".

Bottle episodes are less like cinema, more like theatre. Taking place almost entirely within a single room or location, these episodes strip out sweeping vistas and ambitious action sequences in favour of introspective dialogue and character development. Despite being initially envisioned as a cost-saving measure, this format has been the catalyst for some of the best TV episodes ever, often making for a memorable standalone story that also weaves into wider character arcs.

The greatest writers, directors, and actors know how to use the format to its fullest potential, sometimes even creating bottle episodes for their own sake thanks to the unique challenge they provide and the storytelling opportunities they present, rather than merely to be thrifty. These episodes may seem limited, but they demonstrate boundless talent and creativity.

10. The X-Files - How The Ghosts Stole Christmas

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This is a Christmas caper with a classic X-Files twist: it's set entirely inside a haunted house. A brilliant fusion of the festive and the spooky, the episode sees Mulder and Scully investigating a mansion rumoured to be haunted by two young lovers who committed suicide together so they'd never be alone.

These two spectral sweethearts are played by comedy veterans Ed Asner and Lily Tomlin, and they're the only cast members aside from Duchovny and Anderson, meaning this episode has the smallest cast of any X-File with just four characters total.

The minimal casting extends to the location, with the majority of the episode set entirely within the haunted house's library. Smartly however, the library is split into multiple versions of itself, allowing Mulder and Scully to be separated from each other. Attempting to leave simply brings them to another instance of the library, so the agents are forced to come face to face with the snarky spectres.

It's a brilliantly economical premise, and it makes for a heartfelt horror about love and loneliness. The themes are encapsulated in the bittersweet fan-favourite final scene when, having finally escaped from the haunted house, Mulder and Scully exchange Christmas presents. This reinforces their care for one another, but also acts as a grim mirror of the ghosts, whose devotion to each other isolated them from everyone else.

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Patch is a pop culture enthusiast and purveyor of puns. He writes about media in a vague attempt to justify the alarming amount of time he spends consuming it. Nobody's convinced... but nobody's told him that yet. He spends his spare time working on Portal 2: Desolation, an ambitious fan-made sequel to Valve's beloved puzzle games.