10 Sci-Fi Plots We're Sick Of Seeing

2. The Intelligent Virus

BBC WorldwideBBC WorldwideThis particular cliché comes in not one, but two delicious flavours of tedium €“ either it€™s a good old-fashioned fleshy virus or, in more recent sci-fi, it€™s a computer virus instead. Of course, the characters don€™t immediately realise the virus is intelligent; that€™s a revelation saved for the halfway point of the episode, where someone will utter the line €œIt€™s as if the virus is trying to protect itself!€ and anyone who€™s ever used a computer dies a little inside. Real viruses try and protect themselves, setting files to read-only and creating multiple backups €“ it doesn€™t mean the five new browser toolbars I€™ve developed are an attempt at communication. Eventually, the virus will gain the ability to communicate directly with our heroes, either by infecting so much of their victim that it can work them like a meaty marionette, or utilising a nearby computer. After our heroes convince the virus that they didn€™t mean to kidnap it, both species can co-exist peacefully and many other platitudes, the virus agrees to be transported back home or to a special computer where it can live out the rest of its days spawning pop-up ads and logging your World of Warcraft details. It€™s remarkable how often this plot rears its hackneyed head, considering how obvious and uninteresting it is. Even if the audience doesn€™t recognise the story straight away, the episode normally flat-out tells us that the virus is sentient, meaning we spend the next hour watching the main cast playing catch-up as they trudge through a story we€™ve been tired of since the 80s.
Contributor
Contributor

Chris has over a decade's experience as a game designer and writer in the video game industry. He's currently battling Unity in a fight to the death.