10 Things We Learned From Twin Peaks: The Return Part 11
8. A New Opening To The Otherworld
As we cut back to South Dakota - unlike in Part 10, these cuts are not as sudden, which allows for an insidious, lurching and brutally effective atmosphere of tension - Tammie Preston briefs William Hastings on his activities on "the site" to which he has returned.
"Think there's one in there Abert?" Cole asks. "One", it is revealed, is a swirling vortex. Cole approaches a run-down outhouse, gun in hand. Electricity cackles in the air. The camera cuts back to Hastings, terrified, ramping up the unease. We then receive an answer to possibly the first mystery The Return posed: who, in the first "In Production" teaser, appeared at the end of it, and in what context? It is Cole, looking skyward, hypnotised. A vortex pierces the sky, rotating black entities in its axis line. "There were so many people," recollected Hastings in Part 10. These possible multiples of woodsmen beckon Cole upward. A terrifying split second reveal sees three of these woodsmen appear on a stairwell.
Cole's physical form disappears and rematerialises in and out of view - an inverse image to the woodsmen creeping into "our" plane of existence. Albert snatches Cole backwards just as his image seems to fade entirely.
This is the second portal introduced to the supernatural mythology in Peaks lore. It is testament to Lynch's genius that it is equally unsettling as Glastonbury Grove.