3. Vikings (The History Channel, March 3rd April 28th)
The History Channel's first foray into scripted drama has proven to be a smart gamble not only for its impressive ratings, but because it's also among the most visually and narratively striking new series in years. Like Hannibal, it clearly benefits from its showrunner, Michael Hirst, being so responsible for the writing in this case, all nine episodes of its first season. Led by the mesmerizing Travis Fimmel as legendary viking figure Ragnar Lothbrok, the series stands out not just for its immersion in the culture clash (literally and figuratively) between Viking civilization and the emergence of Christianity, but story-telling which eschews temporal conventions and audience pandering in the interest of narrative integrity. Though an excellent actor, the unfortunately miscast Gabriel Byrne holds the first half of the season back from truly hitting its full potential, but without revealing details I can promise the series refreshingly moves on to new territory, continuing to develop authentic and complex characters while exploring both the ugly and fascinating aspects of a society steeped in brutality and honor with equal weight. Vikings is the thinking viewer's best means of burly, visceral, action-tinged escapism, second only to
that other medieval series. Ironically enough I feel like both those who loved Nicolas Winding Refn's Valhalla Rising and those disappointed by it will relish this series and storm The History Channel's offices for shorter breaks between seasons.