1. Steven Moffat Has Overly Complicated Doctor Who
Steven Moffat has been typically acerbic when responding to complaints that his plots are too complicated. More than any other writer or producer, Moffat has meddled with time in his plots and narrative structures. He has run with such ideas as time being non-linear, of the Doctor meeting River in the opposite direction in their timelines, of time moving at different speeds and of time being rewritten and its consequences, both in the story and for the characters. It's a little disingenuous to say that the show isnt hard to follow but, on the other hand, it's patronising to suggest that it goes over the viewers' heads. The series long arcs of Russell T Davies seasons did not take away from the self contained nature of each individual story. They were simply hints of things to come but, particularly in Series 7, Steven Moffat's arcs have been more intertwined within the stories. The two producers prioritise their audience differently with Russell T Davies highlighting the casual viewer who dips in and out of the show, and Steven Moffat writing for those who watch week in, week out. Douglas Adams famously said in 1979 that his task as script editor was to make the show simple enough for adults and complicated enough for children. There is some truth to this observation. Children are still finding the world a complicated place, their universe is huge and uncontrollable and their imaginations are open to all manner of possibilities. As we mature, we order and structure the world around us to fit into neat boxes and categories. Some of the complaints about how complicated Doctor Who has become are because not everything is explained. Steven Moffat does not spoon feed the viewer. But why does a story have to make complete sense, and why does it have to have a single reading? What did you think of this list? Do you agree/disagree that these are unfair criticisms? Join the discussion the comments section below!
Paul Driscoll
Contributor
Paul Driscoll is a freelance writer and author across a range of subjects from Cult TV to religion and social policy. He is a passionate Doctor Who fan and January 2017 will see the publication of his first extended study of the series (based on Toby Whithouse's series six episode, The God Complex) in the critically acclaimed Black Archive range by Obverse Books. He is a regular writer for the fan site Doctor Who Worldwide and has contributed several essays to Watching Books' You and Who range. Recently he has branched out into fiction writing, with two short stories in the charity Doctor Who anthology Seasons of War (Chinbeard Books). Paul's work will also feature in the forthcoming Iris Wildthyme collection (A Clockwork Iris, Obverse Books) and Chinbeard Books' collection of drabbles, A Time Lord for Change.
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