The Punisher: 10 Ways It Saves Netflix's Marvel Universe

1. It Has Something To Say

The Punisher Lewis Curt
Netflix

Although criticism levied at The Punisher has varied greatly, consensus has seemingly taken aim at the show's attempts to broach the US gun debate. While that particular element of the series isn't handled all that well, with two caricatures representing either side of the aisle, it is the series' other statements that bear the most salience, particularly in relation to war, violence and the systemic mistreatment of veterans.

The Punisher has a massive history of being misinterpreted, misappropriated, and just downright misunderstood since his original introduction in 1974, and it's to the show's credit that it actually approaches this subject head on with the character of Lewis Wilson. Wilson, a marine veteran, returns to the US with PTSD and is subsequently perturbed by the societal disregard with which the government - and indeed the public - have seemingly treated himself and his fellow comrades.

This then leads Lewis, caught up in the midst of a mental breakdown and a profound sense of alienation, to terrorism. He uses Frank as his moral compass throughout his murder spree and proclaims him to be a hero of the people, yet anyone who knows the character would know that he wouldn't abide by these acts, a fact that's conveyed wonderfully when Castle himself calls Lewis a coward when things are at their abject worst.

Lewis Wilson is, without doubt, the most important character in The Punisher, and while the show may fluff its lines when it comes to gun control (a fact made worse by its fetishisation of firearms in the first episode), its comments on the military grant it a salience that few other Marvel properties have been able to match.

Do you think Punisher saves Marvel on Netflix? Let us know in the comments below!

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WhatCulture's very own resident movie guy, Ewan has been working in the content creation biz for over 10 years now, having started as a freelance contributor to WhatCulture Gaming all the way back in 2015. After graduating with a First-Class Honours in History from Northumbria University in 2017 (where he won a prize for a totally killer dissertation on the Watergate years), Ewan took on the role of Comics Editor at WhatCulture and quickly developed WhatCulture Comics into one of the biggest superhero-focused channels on YouTube. He followed this with a brief hiatus at Screen Rant in 2021, where he worked across the Gaming and Film sections as a writer and editor, before returning to WhatCulture as a Senior Content Producer / Presenter in 2023. He started his own podcast, We Love Dad Movies, in 2022, and has contributed several written pieces to the Eisner-nominated comics website Shelfdust as well. In his current role, Ewan incorporates his love of cinema, comic books, and history into written pieces and video essays for WhatCulture's Film & TV channel, as well as WhatCulture Gaming and WhatCulture Horror, with a particular focus on nineties-era Dad Movies, old school Westerns, and Golden Age Hollywood Noir. John Carpenter is his fave, and he thinks Batman Beyond should never have been cancelled. If that's your vibe, you'll probably like his stuff.