TV Review: Dexter 7.2, "Sunshine and Frosty Swirl"

The utter shock and revulsion Carpenter displayed at the beginning of the episode was palpable and I loved how sheepishly and morbidly curious she became when she made her and Dex some spaghetti marinara and asked, “How does it feel, this need to kill?”

rating: 4

€œHannah used to think I was somethin€™ special. Now she sees me as just a killer. Y€™know what? She€™s not wrong. Now there€™s just one more person I need to kill.€ The most important aspect of this episode wasn€™t Deb€™s reaction to the realization that her brother is indeed a very accomplished mass murderer, it wasn€™t LaGuerta slowly catching up, it wasn€™t even Dex getting close to Louis and vice versa, it wasn€™t Angel and Quinn hangin€™ out at the Fox Hole, and it wasn€™t the more proper introduction than last week of the season€™s Big Bad, Ukrainian crime syndicate boss, Isaak Sirko. The collection of scenes most pertinent to Dexter was the one comprised of those between Dex and convict Wayne Randall. The convict who duped the police into letting him hang out in the sun and enjoy some ice cream cones while they looked for dead bodies the man supposedly knew about from his past may have hit a little too on-the-nose for my tastes, but it shows the writers are serious about suggesting how Dexter might end up at the end of the series. Lots of previous ground that€™s already been tread on the show was touched on in €œSunshine€, but ultimately I didn€™t really mind because it was done so mostly with awareness which, coupled with the excellent previous episode, makes me hopeful that this season won€™t spend too much time spinning its wheels in these familiar narrative territories. As Dexter himself pointed out, he€™s already attempted and failed in rehabilitating himself with the help of others. It started with Lila in season two and was briefly attempted again with Brother Sam in season six. Dexter€™s gradual cultivation of a family that could potentially replace his Dark Passenger was arguably killed with Rita and played out in seasons three, four, and five. Indeed the futility of Dexter changing his ways has been a central theme of the series for almost its entire run. However, as long as this doesn€™t come to define too much of the seventh season (I€™m hoping no more than another two or three episodes, if that), Deb€™s attempt at being Dexter€™s clinic won€™t bother me too much. Don€™t get me wrong, I hate to see a series as exciting as this one repeat itself, but short of either arresting Dexter herself or maybe giving him a head start before initiating a new investigation and subsequent manhunt (season eight, anyone?), what else can Debra be expected to do other than attempt to change her brother? It sucks for the audience because we know better, but it makes sense (at the moment anyway) for the character. Deb€™s method of rehabilitation, however, is absolutely short-sighted. The whole 24-hour surveillance bit is not only so impractical as to be virtually impossible, but even if she were to accomplish it the circumstances would surely and quickly make Dex pop like a black blood filled balloon. It doesn€™t address his underlying issues; it€™s more of a conditional approach to simply correcting behavior. Hopefully Dex pops soon and Deb makes with the, €œOkay, killing bad guys is all right by me, fella,€ (I don€™t know why Deb turned into Dirty Harry there, Clint Eastwood, not Deb and Dex€™s questionable father). Despite audibly groaning upon Deb€™s suggestion of doing everything together from now on (which does harken back to that point in season six everyone wishes they could forget when Deb became convinced she was in love with her brother), Jennifer Carpenter has delivered again in her performance, especially during the opening scenes in which Deb and Dexter have The Talk. Deb hasn€™t always been my favorite character, but Carpenter consistently does an impressive job with her. The utter shock and revulsion Carpenter displayed at the beginning of the episode was palpable and I loved how sheepishly and morbidly curious she became when she made her and Dex some spaghetti marinara and asked, €œHow does it feel, this need to kill?€ Scenes like these are what I€™ve been waiting for; scenes where we could spend some quality time with who and what Dexter is on the inside. Though they were handled fairly well in €œSunshine€, adequately reintroducing the protagonist and his situation, even throwing a little humor and light-hearted criticism around (how meta), they didn€™t offer anything new or revelatory. Michael C. Hall€™s blood analogy monologue teetered the line for me between redundantly hokey and genuinely disturbing. Hopefully future episodes will further explore the dark caverns of Dexter€™s psyche without coming off like the diary of a ninth grade goth chick. However, his rebuttal to Deb that those he€™s killed were the real victims was classic and I loved how he had to suppress how worked up he got reminiscing about three of the best kills of the series, all from season one. Speaking of Dexter€™s internal monologue, the one thing about the show I can€™t really take any longer is Dexter€™s completely unnecessary voiceovers. His line where he asks himself, €œDoes Louis know what I am?€ didn€™t intensify the drama or offer any new information; it only served to frustrate me because anyone who€™s been paying attention has already been asking that for at least half a season. They€™ve been building Louis up for so long he must know what Dexter is. Though it hasn€™t been made explicitly or implicitly clear either way. We got a little closer to finding out though when Dexter actually confronted Louis in his apartment in what might€™ve been the most awesome scene of the episode for me as seeing Dex lift Louis off the ground was quite badass. During that exchange it appears Louis isn€™t a psychotic mastermind like we€™ve all hoped, but a pathetic loser with anger issues. I refuse to believe this though. With so much that can be done with this character I reject the implication that Louis wants to ruin Dexter€™s life solely due to Dexter€™s dismissal of his video game. It€™s just too lame. But I€™m afraid that might be all Louis amounts to €“ temptation for Dexter to break his promise to Debra to no longer give in to his Dark Passenger. If that€™s the case I€™ll be profoundly disappointed but nonetheless, no one touches Harrison against Dexter€™s wishes and lives to tell the tale so at least Louis€™ destruction is only a matter of time. Hopefully Dex doesn€™t wait too long like he did with Miguel Prado, Arthur Mitchell, and Travis Marshall €“ will he never learn? The third and final character so far this season to be inching ever closer to the truth about Dexter€™s extracurriculars is LaGuerta. She doesn€™t know Dexter is a serial killer, but she knows Doakes probably wasn€™t the Bay Harbor Butcher and that the true culprit is still on the loose. Although LaGuerta€™s always been more of a conniving politician than an actual detective, I€™m thinking that once she does put all the pieces together she€™ll force Deb€™s hand one way or the other in terms of her decision on what to do with Dexter. Quinn and Angel (whom I almost want to refer to here as Q&A, which incidentally will be the title of their spin-off buddy cop series on CBS) are making some headway in the murder of Detective Mike Anderson at the strip club the killer€™s criminal fraternity owns. Essentially this just serves to bring the season€™s Big Bad, the Ukrainian mafia boss, Isaak, into the picture which he is now as he€™s traveled to Florida to personally investigate the disappearance of Viktor, the killer of Kaja the stripper and a victim of Dexter. I like this Isaak Sirko character mostly due to the performance of Ray Stevenson and the fact that the man knows his way around a screwdriver. When I first heard of this character and his role I thought it would be too conventional or too similar to the Big Bad of season five, Jordan Chase. Though I think Isaak€™s distinctive enough from Chase, we€™ll see if we get a truly fascinating crime boss a la Al Swearengen (yeah, right!) or an extremely watered down Tony Soprano. Either way, it looks like Isaak is being gradually introduced and the way things are connected among him, the Metro police, and Dexter feels much more natural and realistic than in seasons three or six. So two episodes in and the seventh season is still looking very formidable, but really it€™s too early to tell one way or the other. Again, though I€™m sick of the Dexter voiceover and ghost Harry (we get it guys, show and don€™t tell, okay?), and the antics of Q&A, LaGuerta, Louis, and the requisite Big Bad are pretty by-the-book at this point, they€™re all kept at a minimum in favor of the more interesting angle of Deb€™s moving forward without arresting Dexter. Plus, as I began to approach at the top of the review, in spite of Deb€™s optimism it looks as though promises that Dexter won€™t have a happy ending and that it€™s not far off weren€™t just talk. Most fans and critics agree that there€™s only a couple ways the series could end and they€™re all pretty bleak. Essentially it comes down to imprisonment which is lame and never really the end, death either by suicide or by his sister€™s hands, or successfully running away and starting over. Randall€™s suspiciously well-timed date with that Mack truck suggests Dexter€™s stellar career of killing may have to end in suicide. Considering everything Dexter has survived I really dislike this idea, but I suppose only time will tell.
Contributor

Fed a steady diet of cartoons, comics, tv and movies as a child, Joe now survives on nothing but endless film and television series, animated or otherwise, as well as novels of the graphic and literary varieties. He can also be seen ingesting copious amounts of sarcasm and absurdity.