TV Review: The Office 9.2, "Roy's Wedding"

That whole idea of an Office reboot doesn't sound so terrible now that I've seen more of Clark and Pete.

rating: 4

It€™s really nice to be pleasantly surprised. I€™m not saying there were many surprises in €œRoy€™s Wedding€, but enjoying it was certainly an unexpected luxury. I could just be high on my excitement for going to see Looper in a matter of mere hours, but I actually found myself laughing out loud at much of this episode. Though in retrospect I€™m still pretty annoyed by Jim and Pam, and the Dwight/Nelly plot kind of bored me, both these assessments are entirely personal and subjective. Objectively, they were each at least executed well enough. The truly bright spot though was definitely Clark€™s creepy rouse to get Erin to come to his apartment and model various slutty outfits under the guise of auditioning for a position as a local newscaster. This was by far the best plot of the episode as it really showcased the newest additions to the cast, Clark and Pete. We come to find that the two new hires aren€™t actually friends, something that would be easy to assume, but that in fact Pete simply considers Clark, €œthe douche that sits next to me at work.€ Whereas in the premiere Clark came off as a lovable smartass and Pete appeared to potentially be a bigger bore than even Toby, this episode definitely found Clark to be a bit pervy (though still quite amusingly so) and Pete really shined not only as a stand-up guy, but truly earning his title as €œPlop€ €œJim Junior€. Not only in ethics but also in tone and demeanor, Pete stepped up as The New Jim primarily by cleverly thwarting Clark€™s plan by coyly suggesting Erin needs a co-anchor and that Andy would be a perfect fit. Turns out Andy makes a perfect television news anchor and I have to say, even on Fox News, I€™d tune in to The Evening News with Andy and Erin. I know Nelly was generally regarded as the bane of the second half of The Office€™s eighth season (and rightfully so), but I thought her role in this episode worked well as served as a natural opposition to Dwight€™s staunch refusal to participate in anything that doesn't cultivate severe self-reliance (I feel as though he and Ron Swanson might really get along under the right circumstances.) Though I didn€™t really understand Nelly€™s logic in attempting to trap Dwight in agreeing to abide by Taliban law (as the special project Nelly€™s enacted requires employees to choose charities for Dunder Mifflin to support and Dwight purposefully chose a charity recently revealed to have been a front for the Taliban in an attempt to defraud the project altogether) seeing as how as a woman she€™d be stuck in a bit of a corner pretty quickly, it turns out to have been a pretty clever way to call the beet farmer€™s bluff (though I€™d never really want to play chicken with Dwight if any kind of sharp object is involved). Daryl€™s intervention of showing the two the film 127 Hours may have been a bit of a cheap resolution, but it€™s not entirely unrealistic that such a move would defuse the situation (though of course the situation itself is obviously beyond ridiculous €“ does anyone ever work in that office anymore? ) The eponymous ceremony of Pam€™s ex-fiancé, Roy, to his new bride, Laura, was essentially a vehicle to showcase how crappy Jim and Pam€™s marriage apparently is. There are just so many problems here, I don€™t know where to begin. First and foremost, there€™s absolutely no reason to feel any sympathy for these two characters. All of the tension and hopefulness and romanticism of these characters€™ journey from the first half of the series is completely drained by now. They€™ve had nothing but a charmed, storybook existence together since Pam returned from art school back in season five and yet it keeps getting thrown in the audience€™s faces that their existence is entirely stale and suffocating Jim who refuses to divulge to his wife the secret that he€™s gone ahead and started that business with his college friend. How much longer are the writers going to make us suffer through this before the two simply have an adult conversation on the matter? In addition to Clark and Pete€™s interactions with Erin and Andy, the several small but enjoyable moments from the supporting characters really carried this episode. Though Roy€™s wedding only actually took up about a quarter of the episode€™s duration, it was pretty funny to see Phyllis and Bob Vance of Vance Refrigeration making out hardcore during Roy€™s piano performance. As much as I dislike this whole Jim/Pam trouble in paradise B.S., I got a good chuckle from Toby knowing the answers to Pam€™s questions during the office dating game activity. Creed had a couple good lines when he told Nelly, the self-appointed €œSpecial Projects Fairy€, that he knows she doesn€™t really exist, and when he said he€™d like to give to Gerald Ford€™s charity to build gnomes. I hate that Oscar is having an affair with Angela€™s husband, but seeing him choke on his food at the mention of Angela stating that she and The Senator €œstill have mystery€ was quite amusing. When Andy, ever the holy fool, looked like he was about to confront Clark about his scheme to seduce his girlfriend but ended up playing right into his cherub-like hands, I laughed. And Daryl€™s breakdown of why he likes certain movies (€œI like The Godfather because I€™m a cinephile; I like Scarface because I€™m black,€) was very funny as well. Plus the cold open of the "Chore Wheel" was a lot of fun. Though being in its definitive final season renders The Office as simply for show at this point, it€™s still nice to sit back and enjoy it without having to hold it under such tight scrutiny as I otherwise would. The series should still absolutely aim high until its final scene, but since it€™s so past its prime I€™m not necessarily expecting much and as a result when the show isn€™t aggressively obnoxious as it was for most of the eighth season, it can still be a lot of fun.
Contributor

Fed a steady diet of cartoons, comics, tv and movies as a child, Joe now survives on nothing but endless film and television series, animated or otherwise, as well as novels of the graphic and literary varieties. He can also be seen ingesting copious amounts of sarcasm and absurdity.