10 Huge Mistakes WWE Have Made With The WWE Network

8. Antisocial Media

WWE Network Surrender
WWE.com

Once an endless frustration on Raw and SmackDown thanks to Vince McMahon's sudden fascination with the medium, Twitter exploded onto WWE television with the company's traditional hamfisted delivery. Drenching the product in hashtags, trends and superstar feeds in a desperate attempt to catch up with a world already starting to tire of the second-screen audience engagement tricks, the show was enamoured with becoming the force-fed talking point of social media at large.

This spawned a brand new way of delivering breaking news and shocking stories. Rather than saving everything for television, the company employed Twitter, Instagram and Facebook as mechanisms for the reveals, acutely understanding the possibility of the shared tidbits driving viewers to the main show.

The model hasn't really changed since, but positively should have the day WWE launched their own network. That the Network exists as a static repository rather than a living, breathing product is spellbinding.

WWE has the capacity to utilise the vehicle for additional views, and yet still chooses to broadcast news snippets from online reporter Cathy Kelley on Twitter whilst revealing a surprise return, Hall of Fame inductee or injury update in full on Instagram.

Every single one of these should be broke exclusively on the Network, with the various media channels directing subscribers to log in immediately and check out the latest hot topic. It would create a culture of urgency and immediacy around the vehicle that has sadly lacked since its inception.

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Michael is a writer, editor, podcaster and presenter for WhatCulture Wrestling, and has been with the organisation nearly 8 years. He primarily produces written, audio and video content on WWE and AEW, but also provides knowledge and insights on all aspects of the wrestling industry thanks to a passion for it dating back over 35 years. As one third of "The Dadley Boyz" Michael has contributed to the huge rise in popularity of the WhatCulture Wrestling Podcast and its accompanying YouTube channel, earning it top spot in the UK's wrestling podcast charts with well over 62,000,000 total downloads. He has been featured as a wrestling analyst for the Tampa Bay Times, GRAPPL, GCP, Poisonrana and Sports Guys Talking Wrestling, and has covered milestone events in New York, Dallas, Las Vegas, Philadelphia, London and Cardiff. Michael's background in media stretches beyond wrestling coverage, with a degree in Journalism from the University Of Sunderland (2:1) and a series of published articles in sports, music and culture magazines The Crack, A Love Supreme and Pilot. When not offering his voice up for daily wrestling podcasts, he can be found losing it singing far too loud watching his favourite bands play live. Follow him on X/Twitter - @MichaelHamflett