10 Huge Mistakes WWE Have Made With The WWE Network

9. Going Live

WWE Network Surrender
WWE.com

No longer promoting pay-per-views as the one-off purchases they used to be, WWE adjusted their model significantly with the birth of the Network by guaranteeing each subscriber at least one monthly supercard, then increasing that output following the 2016 Draft.

Arguments of creative overkill are normally silenced by the apparent need to super-serve, but the organisation have perhaps overlooked a more nuanced way to introduce original content.

With live specials such as 'The Beast In The East', the original 'Roadblock' and the UK Championship Tournament, WWE were able to present first-time extravaganzas that strayed from the traditional sights, sounds and stagnation of the weekly television churn. Each broadcast represented something that genuinely felt like a rewarding reason to subscribe and a pleasant distraction from Raw and SmackDown's seasonal lethargy.

It's perhaps why NXT TakeOvers remain wildly popular despite a notable downturn in interest for the weekly show. The cards represent an escape from the monolithic WWE, and largely deliver at least one excellent match to boot. Part of that perception is wrapped within the company's attitude towards the cards being at least a little different, and it's an avenue they should explore far more often than they do.

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Michael is a writer, editor, podcaster and presenter for WhatCulture Wrestling, and has been with the organisation nearly 8 years. He primarily produces written, audio and video content on WWE and AEW, but also provides knowledge and insights on all aspects of the wrestling industry thanks to a passion for it dating back over 35 years. As one third of "The Dadley Boyz" Michael has contributed to the huge rise in popularity of the WhatCulture Wrestling Podcast and its accompanying YouTube channel, earning it top spot in the UK's wrestling podcast charts with well over 62,000,000 total downloads. He has been featured as a wrestling analyst for the Tampa Bay Times, GRAPPL, GCP, Poisonrana and Sports Guys Talking Wrestling, and has covered milestone events in New York, Dallas, Las Vegas, Philadelphia, London and Cardiff. Michael's background in media stretches beyond wrestling coverage, with a degree in Journalism from the University Of Sunderland (2:1) and a series of published articles in sports, music and culture magazines The Crack, A Love Supreme and Pilot. When not offering his voice up for daily wrestling podcasts, he can be found losing it singing far too loud watching his favourite bands play live. Follow him on X/Twitter - @MichaelHamflett