10 Most Cringeworthy WWE Backstage Segments

Don't Peek Behind The Curtain.

Vince McMahon Stephanie McMahon
WWE

WWE Superstars don't make too much of a secret of the intense scripting and direction that feeds into mere seconds of output on any given edition of Raw or SmackDown.

Equal parts foaming frustration and beaming pride, performers such as The Miz and Chris Jericho have spoken at length about the largely laissez-faire attitude on a film set compared to the atmosphere backstage at a WWE television taping.

Unlike the endless reshoots utilised to fine-tune the end product towards perfection, Vince McMahon's vision requires rapid-fire recollection of the lines of dialogue and quirks of his direction - and that's before a last-minute script change or creative wire coming loose in his chaotic mind.

Vignettes are often disposable fluff on the bloated shows in 2018, necessary evils due to the sheer time taken up by WWE on USA Network and FOX thrice a week. Devoid not only of purpose within their bubble but also robbed of their original intent, the ostensibly random backstage interventions or interminable "office" interactions are neither well-received nor well-performed. Instantly forgettable is at least better than instantly infamous though.

A hobby or skill can allegedly be mastered within 1000 hours, but WWE have banked far more than that and have yet to stop a shot lingering too long or performer mumbling their way to obscurity via one dreadful line or another. A calamity awaits around every corner in WWE - these were the worst to have to endure.

11. Vince McMahon: Funkasaurus

This list could easily be filled with moments of megalomaniacal Vince McMahon madness, but he'll make select appearances based on the most obnoxious exhibitions of his preposterous peccadilloes. In this particular edition of 'Boss abuses privilege', he #GivesDivasAChance several years before he actually had to by patronising Natalya almost all the way into an early career grave before stealing one of his own performer's gimmicks by dancing with Brodus Clay's sidekicks Cameron and Naomi.

"Dancing" is of course a generous description of his thrusting and posturing, after so gleefully bantering off a woman he'd later desperately require as a horde of talented new athletes replaced the vapid models he'd flooded the product with for a generation. The pair can't get enough of his cavorting, nonetheless.

Not just content with liberally nicking the best bit of Clay's flagging gimmick, he ends the utterly meaningless backstage stroll-along by throwing Zack Ryder's catchphrase back in his face after doing much the same to his career just months earlier. But more on that, next...

Contributor
Contributor

Michael is a writer, editor, podcaster and presenter for WhatCulture Wrestling, and has been with the organisation nearly 8 years. He primarily produces written, audio and video content on WWE and AEW, but also provides knowledge and insights on all aspects of the wrestling industry thanks to a passion for it dating back over 35 years. As one third of "The Dadley Boyz" Michael has contributed to the huge rise in popularity of the WhatCulture Wrestling Podcast and its accompanying YouTube channel, earning it top spot in the UK's wrestling podcast charts with well over 62,000,000 total downloads. He has been featured as a wrestling analyst for the Tampa Bay Times, GRAPPL, GCP, Poisonrana and Sports Guys Talking Wrestling, and has covered milestone events in New York, Dallas, Las Vegas, Philadelphia, London and Cardiff. Michael's background in media stretches beyond wrestling coverage, with a degree in Journalism from the University Of Sunderland (2:1) and a series of published articles in sports, music and culture magazines The Crack, A Love Supreme and Pilot. When not offering his voice up for daily wrestling podcasts, he can be found losing it singing far too loud watching his favourite bands play live. Follow him on X/Twitter - @MichaelHamflett