10 Next Steps AEW MUST Take After Double Or Nothing

8. Tweak The Production

Cody Dustin Rhodes
AEW

Double Or Nothing's production was solid. It looked, felt, and sounded like a big deal, and that was vital for the promotion's first event. A shoddily assembled pay-per-view may have alienated the mainstream fans AEW need to attract if they're to rival WWE, so it was great to see this new team come through with such a polished first effort.

It wasn't perfect, but how could it have been? This was AEW's first show. There were always going to be a handful of bumps here and there, and that the list of production flows was so small is a major triumph.

Regardless, they need to be ironed out. The Jackson brothers have already spoken on this, claiming that AEW, as a group, will be going through the show over the coming days, looking for areas to improve upon. That's a refreshing level of self-awareness from a major wrestling promotion, and it bodes well for upcoming events.

Among the most notable issues were the announcers staring at the floor during their on-camera segments, mistimed camera cuts resulting in a number of spots being missed, and mass confusion in the Casino Battle Royale's early stages. Eliminate these and future shows will soar.

Channel Manager
Channel Manager

Andy has been with WhatCulture for eight years and is currently WhatCulture's Wrestling Channel Manager. A writer, presenter, and editor with 10+ years of experience in online media, he has been a sponge for all wrestling knowledge since playing an old Royal Rumble 1992 VHS to ruin in his childhood. Having previously worked for Bleacher Report, Andy specialises in short and long-form writing, video presenting, voiceover acting, and editing, all characterised by expert wrestling knowledge and commentary. Andy is as much a fan of 1985 Jim Crockett Promotions as he is present-day AEW and WWE - just don't make him choose between the two.