10 Radical Ideas For WWE To Save Alberto Del Rio

6. Give Him A Makeover

As a final part of the babyface turn and transformation of his character, WWE needs to incorporate the finishing touches of a superstar makeover. At a key juncture, Del Rio needs to unveil both new music and a new finishing move to the crowd. The former is a bit of a no-brainer, I€™m afraid. Del Rio€™s had the same music for five years, and every bar of it is associated with the past: with his stale, boring heel character, with his failed babyface run, and with a José Rodríguez that couldn€™t draw money with a green pen and tracing paper. He needs a musical facelift, something a little more dramatic, but none of your generic Yankee rock music. John Alicastro and Mike Lauri have been doing a cracking job producing pretty much all of WWE€™s in-house music under the name of CFO$ since 2012 - give them a crack at it. As for his finishing move - I€™m not suggesting that he retires the cross armbreaker, not when he and WWE have spent so long getting it over, and not when he€™s so bloody good at applying it. But it€™s a heelish submission the way he works it, and a babyface should reserve it for high stakes matches or serious grudges. The problem is that the foot stomp in the tree of woe is a terrible, terrible finish (although Foot Stomp In The Tree Of Woe is a brilliant name for a band). It requires so long to set up and is so contrived that it has no credibility whatsoever. It€™s also even more of a heel move than the cross armbar. No, this new Del Rio would need a finish that would seem definitive in the context of the match, while getting the crowd worked up. My vote goes to the standing moonsault side slam. If you€™re wondering where you€™ve heard of it before - well, John Morrison used to use it as a transitional move in WWE, and Paul Burchill (remember him? Big English guy who sidestepped an incest gimmick only to run right into a pirate gimmick?) used it as a finish, calling it the C4. It looks fantastic, requires a level of athleticism that Del Rio€™s capable of, and it can be worked into the finish as a dramatic, theatrical set-up on a punchdrunk opponent while playing to the crowd, or as a quick €˜outta nowhere€™ finish when ducking a charging opponent€™s clothesline or punch. Give it a catchy, cool-as-hell name that an announcer can shout at the top of his lungs and you€™re good to go.
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