10 Secrets Behind AEW's Booking Magic
5. Collaboration
AEW is booked on a format sheet. It isn't written on a script.
WWE's system is so wildly stupid because it actively limits the talent and overworks those most unqualified to get them over. Wrestling never ends - when the rest of the globe shut down, the WWE writing staff pondered the best synonym for "destroy" in a Drew McIntyre promo - and it burns out its bookers in eerily similar cycles. Booking two hours of TV every week - accounting, if you give half a sh*t, for every preceding week so as to inform the next - must be very challenging. Why wouldn't any wrestling promotion leave much of the delivery up to the talent they recruited, presumably, because they trusted them to do it?
AEW as Cody described it is a wrestling company for wrestlers.
Jon Moxley's experience in it has compelled him never to read from a script again. His witty, poetic and badass two minute promos have got him over as the preeminent draw on Wednesday nights. His promos.
Darby Allin uses his film school background to artfully promote his matches and fearless persona; Kenny Omega's fastidious approach has informed this elegantly constructed Elite civil war; the Dark Order have completely revitalised their act after honing it on the carefree, expressive platform of Being The Elite.
The show with the dinosaur feels real because it's a collaborative passion project powered by belief.