10 Secrets Nobody Has Told You About WWE Yet

6. And They're PAID For Them!

Rhea Ripley Dominik Mysterio
WWE.com

Clash At The Castle and Backlash 2023 will live long in the memories of fans that attended and/or watched on television, but WWE was sitting pretty before bums were even in seats on either glorious night.

The highly-regarded Wrestlenomics recently did some backward maths on the Cardiff show specifically, noting that after WWE reported a 1:10 return on investment from the Welsh government, meaning that said government paid approximately £2.18million against the £21.8million that went back into the economy.

Wrestlenomics also reported that the Puerto Rico Convention District Authority in conjunction with Puerto Rico Tourism Company paid WWE a subsidy of $1.5 million in cash, and an additional $300,000 to run the phenomenally successful SmackDown and Backlash events there in April 2023.

Again, these are seen as investments by the locales, safe in the knowledge that they'll make more back in terms of the benefits they'll receive for WWE bringing the one-ring circus to town. These figures also don't take into account the money made by the market leader while they're there - huge gates and merchandise sales stats only strengthen the win-win situation for every side.

Contributor
Contributor

Michael is a writer, editor, podcaster and presenter for WhatCulture Wrestling, and has been with the organisation nearly 8 years. He primarily produces written, audio and video content on WWE and AEW, but also provides knowledge and insights on all aspects of the wrestling industry thanks to a passion for it dating back over 35 years. As one third of "The Dadley Boyz" Michael has contributed to the huge rise in popularity of the WhatCulture Wrestling Podcast and its accompanying YouTube channel, earning it top spot in the UK's wrestling podcast charts with well over 62,000,000 total downloads. He has been featured as a wrestling analyst for the Tampa Bay Times, GRAPPL, GCP, Poisonrana and Sports Guys Talking Wrestling, and has covered milestone events in New York, Dallas, Las Vegas, Philadelphia, London and Cardiff. Michael's background in media stretches beyond wrestling coverage, with a degree in Journalism from the University Of Sunderland (2:1) and a series of published articles in sports, music and culture magazines The Crack, A Love Supreme and Pilot. When not offering his voice up for daily wrestling podcasts, he can be found losing it singing far too loud watching his favourite bands play live. Follow him on X/Twitter - @MichaelHamflett