10 Specific Ways WWE Stars Can Recover From Awful Booking
5. Karl Anderson
If you aren't familiar with his work in New Japan Pro Wrestling, you'd be forgiven for thinking Karl Anderson was the Brutus Beefcake to AJ Styles' Hulk Hogan: a hanger-on drafted in to appease the star signing. This isn't the case. Anderson was a dynamite performer when left to his own devices following Giant Bernard's departure, as evidenced by this recent SquaredCircle post. Crafting a gripping finishing sequence through the desperate avoidance and thus protection of finishing moves, Anderson elevated himself to Okada's level on the night of the 2012 G1 Climax Final. He is nowhere near that level now, instead occupying the jobber reaches of a brand your writer had to double check he actually wrestled on.
Anderson is a p*ss-funny wind-up merchant in addition to being a superb in-ring talent - so emphasise this by disassociating fans from the DOA Club tandem, stigmatised as rotten failures, by removing him from it altogether. There is money in Anderson as a singles heel performer, especially since, unlike some of his old New Japan peers, he can't be close to finished by virtue of wrestling so little in shared performances.
With the right opponent in the right context - AJ Styles in a marquee PPV bout, supported by their implicit history - Anderson will get over through the sheer revelation that he is anything but an anonymous dud.