10 Things We Learned From Attending AEW All In 2023

6. The NXT Layout Can Still Be Great

Chris Jericho
AEW

As the brand ate itself and numerous key performers from the era found their work becoming increasingly more like a parody of what they'd done in the past (or worst, what their head coach had done in the past), NXT's trademark melodramatic main event epic found itself the subject of much scorn from many wrestling fans. Chiefly AEW ones, who'd frustratedly left the brand behind for pastures new right as the worst excesses were reached.

It appears as if there's hope for the style yet.

MJF's AEW World Championship main event with Adam Cole (a notable and divisive practitioner from the time) will have much written on it and deservedly so, but the old black-and-gold influence was both celebrated and improved upon here.

Never in those tortured morality plays did anybody find a moment of levity like the audible laugh break between the knocked out Bryce Remsburg counting one and two. Rarely was the violence as believably transgressive as Adam Cole following through on a table piledriver when MJF couldn't. It's perhaps no surprise then, that even the best TakeOver-style epics weren't trusted on WWE's grandest stage. This was, and proved its worth over and over again.

Contributor
Contributor

Michael is a writer, editor, podcaster and presenter for WhatCulture Wrestling, and has been with the organisation nearly 8 years. He primarily produces written, audio and video content on WWE and AEW, but also provides knowledge and insights on all aspects of the wrestling industry thanks to a passion for it dating back over 35 years. As one third of "The Dadley Boyz" Michael has contributed to the huge rise in popularity of the WhatCulture Wrestling Podcast and its accompanying YouTube channel, earning it top spot in the UK's wrestling podcast charts with well over 62,000,000 total downloads. He has been featured as a wrestling analyst for the Tampa Bay Times, GRAPPL, GCP, Poisonrana and Sports Guys Talking Wrestling, and has covered milestone events in New York, Dallas, Las Vegas, Philadelphia, London and Cardiff. Michael's background in media stretches beyond wrestling coverage, with a degree in Journalism from the University Of Sunderland (2:1) and a series of published articles in sports, music and culture magazines The Crack, A Love Supreme and Pilot. When not offering his voice up for daily wrestling podcasts, he can be found losing it singing far too loud watching his favourite bands play live. Follow him on X/Twitter - @MichaelHamflett