10 Things You Learn Converting From WWE To New Japan Pro Wrestling

9. Tagged Classics

Kazuchika Okada Dinosaur1
NJPW

Jarring at first but understandably employed to ensure the physical rehabilitation of performers in between mammoth displays on grander stages, multi-person matches are both a crutch and a safety-net for New Japan Pro Wrestling.

The company is helpfully divided up by groups, stables and loose allegiances, affording easy booking shortcuts that prop up undercards on pay-per-view and television. Far from the low-rent time-fillers dished out by WWE on lazily scripted go-home shows, the contests are often cannily used to deliver shock pinfalls that play into future feuds, or pile internal strife on particular units.

An overhanging bonus of the faction action in recent years has been the stupendous revenue accrued from licensed merchandise. As spiritual successors to the New World Order and D-Generation-X, Bullet Club became arguably the most recognisable brand in the entire industry thanks to the canny marketing and gamesmanship of their gimmick, whilst the Tetsuya Naito-led Los Ingobernables de Japon has actually outsold the 'Too Sweet' crew in t-shirts on their home turf.

Contributor
Contributor

Michael is a writer, editor, podcaster and presenter for WhatCulture Wrestling, and has been with the organisation nearly 8 years. He primarily produces written, audio and video content on WWE and AEW, but also provides knowledge and insights on all aspects of the wrestling industry thanks to a passion for it dating back over 35 years. As one third of "The Dadley Boyz" Michael has contributed to the huge rise in popularity of the WhatCulture Wrestling Podcast and its accompanying YouTube channel, earning it top spot in the UK's wrestling podcast charts with well over 62,000,000 total downloads. He has been featured as a wrestling analyst for the Tampa Bay Times, GRAPPL, GCP, Poisonrana and Sports Guys Talking Wrestling, and has covered milestone events in New York, Dallas, Las Vegas, Philadelphia, London and Cardiff. Michael's background in media stretches beyond wrestling coverage, with a degree in Journalism from the University Of Sunderland (2:1) and a series of published articles in sports, music and culture magazines The Crack, A Love Supreme and Pilot. When not offering his voice up for daily wrestling podcasts, he can be found losing it singing far too loud watching his favourite bands play live. Follow him on X/Twitter - @MichaelHamflett