10 Ways AEW Has Made Other Wrestling Unwatchable
2. You're Not Wasting Your F*cking Time
AEW is an actual meritocracy that rewards great performances and maps out long, continuous character arcs for those who excel in the spot. Except Penelope Ford, who really deserved more after a superb showing at Fyter Fest.
Consider John Silver and Miro.
One performer arrived to little fanfare from the more niche recesses of the independent circuit. AEW positioned him in an enhancement role at a level just above the "creeper", i.e. the worst thing AEW ever conceived. But he got over as an irrepressible super-charged dynamo on Being The Elite and skilfully adapted his act to Dynamite, on which he played a suck-up pissant so well he applauded Mr. Brodie Lee after being half-hilled by him. He played the grateful human shield wonderfully, got over on the flagship, and was rewarded with an undercard match against Orange Cassidy.
The other arrived as a star imported from WWE that the narrative suggested had been vastly under-utilised. He arrived with ready-made drawing power AEW could exploit, but he has failed to connect. The arc is far more cute and detailed than it is actually good. His programme with the Best Friends has therefore become a TV-exclusive concern.
His work didn't warrant the stage; Silver's did.
Matt Cardona and Dr. Luther were nepotism hires, yes, but they weren't exactly heavily profiled. They didn't justify the spot, so they didn't get it.
You get more of who you like in AEW. It should be this simple, and it is now.