10 Ways Wrestling Was Just BETTER In The '90s

4. It Was Destination Television

Sting Halloween Havoc
WWE

Of course, viewing habits are vastly different today when compared to the 1990s, and there is clearly such a wider array of channels and services at play, but it's hard to fully appreciate how much wrestling became 'destination television' in the second half of the decade.

When WCW Nitro launched in September 1994, both that show and WWF Raw would bounce around the 2.5 million mark in their ratings. Skip ahead just 18 months, and it was commonplace to see both shows' viewership simultaneously hitting 4.5 million. There were freak weeks - such as Raw pulling in 7.1 million - but the Monday Night Wars got to a point where Nitro and Raw would often share over 10 million viewers between them.

Wrestling will never hit those ratings highs ever again, but that clearly doesn't mean that there can't be improvement in the sheer number of people watching and watching on a live basis. In the '90s, wrestling became must-see TV on a Monday night, with the antics at play becoming immediate watercooler talk or the chatter of college campuses and schoolyards.

Capturing the zeitgeist of the unique time period of the late '90s, WWF and WCW attracted in non-wrestling fans, had a far broader appeal, and suddenly became cool to those who had often poked fun at the industry. Granted, some of the car-crash booking or more questionable content of that time rightly wouldn't fly today, and it's not everyday you wind up with a white-hot Steve Austin, a game-changing nWo, or a freak specimen like Goldberg.

Regardless, Austin, the nWo, Goldberg, and the energetic, crazy twists and turns of wrestling programming pushed the business to a place in the mainstream consciousness that's nowadays unthinkable.

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Senior Writer
Senior Writer

Once described as the Swiss Army Knife of WhatCulture, Andrew can usually be found writing, editing, or presenting on a wide range of topics. As a lifelong wrestling fan, horror obsessive, and comic book nerd, he's been covering those topics professionally as far back as 2010. In addition to his current WhatCulture role of Senior Content Producer, Andrew previously spent nearly a decade as Online Editor and Lead Writer for the world's longest-running genre publication, Starburst Magazine, and his work has also been featured on BBC, TechRadar, Tom's Guide, WhatToWatch, Sportkskeeda, and various other outlets, in addition to being a Rotten Tomatoes-approved film critic. Between his main day job, his role as the lead panel host of Wales Comic Con, and his gig as a pre-match host for Wrexham AFC games, Andrew has also carried out a hugely varied amount of interviews, from the likes of Robert Englund, Kane Hodder, Adrienne Barbeau, Rob Zombie, Katharine Isabelle, Leigh Whannell, Bruce Campbell, and Tony Todd, to Kevin Smith, Ron Perlman, Elijah Wood, Giancarlo Esposito, Simon Pegg, Charlie Cox, the Russo Brothers, and Brian Blessed, to Kevin Conroy, Paul Dini, Tara Strong, Will Friedle, Burt Ward, Andrea Romano, Frank Miller, and Rob Liefeld, to Bret Hart, Sting, Mick Foley, Ricky Starks/Saints, Jamie Hayter, Britt Baker, Eric Bischoff, and William Regal, to Mickey Thomas, Joey Jones, Phil Parkinson, Brian Flynn, Denis Smith, Gary Bennett, Karl Connolly, and Bryan Robson - and that's just the tip of an ever-expanding iceberg. Where his beloved Wrexham AFC is concerned, Andrew is co-host of the Fearless in Devotion podcast, which won the Club Podcast of the Year gong at the 2024 FSA Awards.