10 Wrestling Secrets Everyone Knows Except You

9. Stop Getting Old WWE Pay-Per-Views Wrong

Sasha Banks Io Shirai
WWE.com

The more the years pass, the more that classic WWE pay-per-view cards appear on the surface to not make much sense to newer or younger viewers. Especially if they're watched chronologically via the Network/Peacock archives with all the wrap-around television featuring big angles and segments featuring top stars.

Context is everything, and much of that has been missed over the years, particularly from those reviewing the events retrospectively. SummerSlam 1988 might be just as long as one of its modern equivalents, but that's about the only criteria in which a show from nearly 35 years ago can be judged against one today. WrestleMania VI's beautiful stadium aesthetic and epic main event mirrors much of WWE's presentation of the 'Show Of Shows' in 2022, but there's a good reason why the bulk of the 14 main card matches don't have stories going in.

Vince McMahon's product doesn't look like it's changed too much over the last 20 years, but the landscape of the industry certainly shifted when he got his claws into it twice that time ago. Pay-per-views - pretty much until the Monday Night Wars and the 90s boom - existed as an exhibition of all the organisation had to offer as the destination of professional wrestling. One or two matches served as payoffs, but lots of those were fought around the horn so you'd buy tickets or watch television.

The resulted in supercards being overstuffed with exhibition outings, but a chance to catch All Your Favourite WWF Superstars™ (and in competitive action, nonetheless) was, at the time, enough.

 
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Contributor

Michael is a writer, editor, podcaster and presenter for WhatCulture Wrestling, and has been with the organisation over 7 years. He primarily produces written, audio and video content on WWE and AEW, but also provides knowledge and insights on all aspects of the wrestling industry thanks to a passion for it dating back over 30 years. As one third of "The Dadley Boyz", Michael has contributed to the huge rise in popularity of the WhatCulture Wrestling Podcast, earning it top spot in the UK's wrestling podcast charts with well over 50,000,000 total downloads. He has been featured as a wrestling analyst for the Tampa Bay Times and Sports Guys Talking Wrestling, and has covered milestone events in New York, Dallas, Las Vegas, London and Cardiff. Michael's background in media stretches beyond wrestling coverage, with a degree in Journalism from the University Of Sunderland (2:1) and a series of published articles in sports, music and culture magazines The Crack, A Love Supreme and Pilot. When not offering his voice up for daily wrestling podcasts, he can be found losing it singing far too loud watching his favourite bands play live. Follow him on X/Twitter - @MichaelHamflett