10 Wrestling Secrets Everyone Knows Except You

8. The Crucial Difference Between Booking And Matchmaking

Sasha Banks Io Shirai
Instagram/@therock

WWE don't book long-term anymore.

They don't.

They barely book short-term, for that matter. They matchmake, and the difference is substantial even if it's wilfully missed by positivity trolls and their insincere side-by-side tweets.

WrestleMania 39, if WWE have their way, will feature Roman Reigns main eventing against The Rock in a match that has been fantasy booked to the point of overt manifestation for over half a decade. To this end, Reigns has won the belt and beat everybody like he's a 1999 Hardcore Holly pitch, but it's not as if 'The Great One's had some sort of single-issue Head-Of-The-Table agenda in the meantime. It's just a thing they've got and might be able to do. Kevin Owens Vs Steve Austin f*cking ruled, but if WWE could book it would have been even better thanks to the television being more about Owens randomly making jokes about Texas for six weeks.

There are exceptions (it appears as though the course is carefully being plotted to Becky Lynch/Ronda Rousey, and Seth Rollins/Cody Rhodes was smartly escalated and paced in terms of drama and stakes), but most angles are established on night one and then repeated through matches and the same four or five sh*tty Sports Entertainment tropes. Each wrestler has one or two traits, speaks like every other one, and then they wrestle.

The small moments we all love - and the moments lauded as "proof" WWE can still do this - are the only times they get it right out of 364 possible hours of original run programming a year.

 
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Michael is a writer, editor, podcaster and presenter for WhatCulture Wrestling, and has been with the organisation over 7 years. He primarily produces written, audio and video content on WWE and AEW, but also provides knowledge and insights on all aspects of the wrestling industry thanks to a passion for it dating back over 30 years. As one third of "The Dadley Boyz", Michael has contributed to the huge rise in popularity of the WhatCulture Wrestling Podcast, earning it top spot in the UK's wrestling podcast charts with well over 50,000,000 total downloads. He has been featured as a wrestling analyst for the Tampa Bay Times and Sports Guys Talking Wrestling, and has covered milestone events in New York, Dallas, Las Vegas, London and Cardiff. Michael's background in media stretches beyond wrestling coverage, with a degree in Journalism from the University Of Sunderland (2:1) and a series of published articles in sports, music and culture magazines The Crack, A Love Supreme and Pilot. When not offering his voice up for daily wrestling podcasts, he can be found losing it singing far too loud watching his favourite bands play live. Follow him on X/Twitter - @MichaelHamflett