10 WWE Gimmicks With Racist Undertones

8. Virgil

Virgil WWE
WWE

Lost to a generation of young fans experiencing their first taste of pro wrestling in the 1980s, the power dynamic between Ted Dibiase and Virgil remains uncomfortably driven as much by race as it was the fictitious fortune.

But it wasn't just bad taste that should have seen the gimmick stutter long before it did. Almost everything about the persona was a rib. The name itself was a joke at Dusty Rhodes' expense, doubled down upon thanks to accusations from many within the industry that 'The American Dream's patter was a stolen style rather than an homage.

He'd never escape his fate as a downtrodden inside joke even after turning babyface in WWE. A mid-1990s divide crossing saw him stripped of his refinery to represent the lowest level of the New World Order totem pole as 'Vincent'.

Just as he was used and abused for the first shot across the bow, so too was he considered worthy of the receipt. WCW even renamed him 'Shane' as he fell further down the ranks, as if the joke hadn't already been beaten half to death.

Contributor
Contributor

Michael is a writer, editor, podcaster and presenter for WhatCulture Wrestling, and has been with the organisation nearly 8 years. He primarily produces written, audio and video content on WWE and AEW, but also provides knowledge and insights on all aspects of the wrestling industry thanks to a passion for it dating back over 35 years. As one third of "The Dadley Boyz" Michael has contributed to the huge rise in popularity of the WhatCulture Wrestling Podcast and its accompanying YouTube channel, earning it top spot in the UK's wrestling podcast charts with well over 62,000,000 total downloads. He has been featured as a wrestling analyst for the Tampa Bay Times, GRAPPL, GCP, Poisonrana and Sports Guys Talking Wrestling, and has covered milestone events in New York, Dallas, Las Vegas, Philadelphia, London and Cardiff. Michael's background in media stretches beyond wrestling coverage, with a degree in Journalism from the University Of Sunderland (2:1) and a series of published articles in sports, music and culture magazines The Crack, A Love Supreme and Pilot. When not offering his voice up for daily wrestling podcasts, he can be found losing it singing far too loud watching his favourite bands play live. Follow him on X/Twitter - @MichaelHamflett