12 Times WWE Buried Itself

7. Gameshow Era NXT

Vince McMahon Roman Reigns
WWE.com

A show so terrible that WWE have yet to find a way of glorifying any of it beyond Wade Barrett's jokes at his own career's expense on commentary, the original incarnation of NXT replaced WWE's version of ECW and somehow made the time slot even more unbearable.

It was classic monopoly-era arrogance from Vince McMahon at the time. For all its many, many faults, "WWECW" had become a reasonable quasi-developmental show in terms of how it soft-launched wrestlers by programming them with more experienced workers. The characters were less outlandish than CW-era 2020s NXT, but a lot of the actual performers didn't really have the acting chops anyway. If WWE was rolling a dice with the re-purposed initials, it was rolling a three most weeks with ECW. By comparison, the NXT gameshow dice got thrown off the table in a huff before the game started and never picked back up.

To call it dysfunctional would be an understatement. Wrestlers were given a host of games, tasks and other non-wrestling related activities to do in order to prove their readiness for life as a WWE Superstar. Said activities were typically awful, as were the performers forced to engage with them, but the in-house spin put the blame on the people rather than the format and everyone involved was left to rot. Main roster regulars installed as "Pros" often looked disgusted to have even been included, while the "rookies" never knew what unwritten rules they might be breaking because they were changed on the fly anyway. Matt Striker was insufferable presiding over it all, mostly because he was the kicked cat getting to lash out at the few select stars even lower on the totem pole.

A nadir for talent development, it remains a remarkable achievement and a credit to the best years of the black-and-gold brand that the very initials weren't mothballed with various other all-time lows. 

Contributor
Contributor

Michael is a writer, editor, podcaster and presenter for WhatCulture Wrestling, and has been with the organisation over 8 years. He primarily produces written, audio and video content on WWE and AEW, but also provides knowledge and insights on all aspects of the wrestling industry thanks to a passion for it dating back over 35 years. As one third of "The Dadley Boyz" Michael has contributed to the huge rise in popularity of the WhatCulture Wrestling Podcast and its accompanying YouTube channel, earning it top spot in the UK's wrestling podcast charts with well over 62,000,000 total downloads. Within the podcasting space, he also co-hosts Benno & Hamflett, In Your House! and Podcast Horseman: The BoJack Horseman Podcast. He has been featured as a wrestling analyst for the Tampa Bay Times, Fightful, POST Wrestling, GRAPPL, GCP, Poisonrana and Sports Guys Talking Wrestling, and has covered milestone events in New York, Dallas, Las Vegas, Philadelphia, London and Cardiff. Michael's background in media stretches beyond wrestling coverage, with a degree in Journalism from the University Of Sunderland (2:1) and a series of published articles in sports, music and culture magazines The Crack, A Love Supreme and Pilot. When not offering his voice up for daily wrestling podcasts, he can be found losing it singing far too loud watching his favourite bands play live. Follow him on X/Twitter - @MichaelHamflett