25 Worst Wrestling Moments Of 2024

24. Dynamite's Rebrand Falls Flat

Chris Jericho
AEW

In analysing the business metrics of AEW in 2024 against 2023, the graphs mostly trend in one direction only, but Dynamite in particular has revealed a sharper creative focus than much of what seemed to alienate and annoy so much of the base 12 months earlier. 

Seemingly in a failed attempt to capitalise on the much-ballyhooed return of "The Feeling" and Tony Khan's social media suggestions that 2024 was going to be the new 2021, the company significantly overhauled Dynamite's branding for the first time in its five year history and the results were...disconcertingly mixed at best.

The return of entrance tunnels delighted some, but old aesthetics don't conjour up old magic, as WWE had already found out with constant nostalgia shows in the 20 years between their mainstream fall-off and Vince McMahon resigning in disgrace. Conversely, Dynamite's original opening theme meant a lot to a lot. The only affection expressed towards song 2 has been during the week The Elite remixed the visuals to feature only their clips. 

Contributor
Contributor

Michael is a writer, editor, podcaster and presenter for WhatCulture Wrestling, and has been with the organisation nearly 8 years. He primarily produces written, audio and video content on WWE and AEW, but also provides knowledge and insights on all aspects of the wrestling industry thanks to a passion for it dating back over 35 years. As one third of "The Dadley Boyz" Michael has contributed to the huge rise in popularity of the WhatCulture Wrestling Podcast and its accompanying YouTube channel, earning it top spot in the UK's wrestling podcast charts with well over 62,000,000 total downloads. He has been featured as a wrestling analyst for the Tampa Bay Times, GRAPPL, GCP, Poisonrana and Sports Guys Talking Wrestling, and has covered milestone events in New York, Dallas, Las Vegas, Philadelphia, London and Cardiff. Michael's background in media stretches beyond wrestling coverage, with a degree in Journalism from the University Of Sunderland (2:1) and a series of published articles in sports, music and culture magazines The Crack, A Love Supreme and Pilot. When not offering his voice up for daily wrestling podcasts, he can be found losing it singing far too loud watching his favourite bands play live. Follow him on X/Twitter - @MichaelHamflett