8 Reasons Why Big Show Should Never Wrestle On TV Again

4. Diminished Returns

The Big Show
WWE Network

Throughout its history, WWE has always kept a selection of talent on the books almost exclusively to aid the progression of others long past the point where they themselves can realistically draw money, crowds or attention as they may have done in years gone by.

Ordinarily reliable hands between the ropes, the performers in question can be trusted to lead inexperienced fledgling stars through contests and most importantly, lay down in defeat to accelerate a newcomer's trajectory.

Alongside Mark Henry, The Big Show has offered this service over the years with a different twist. Still believably booked a physically dominant monster if carefully curated, Show can remain as big a threat as he was on his debut, but now finds himself routinely reduced to short squashes or patronising programmes not particularly fitting of his size or status.

As recent as last month, he featured in a SummerSlam squash, putting over Big Cass in an admirable effort that regrettably did little to help the newcomer because of Show's diminished capacity.

With too much comedic water under the bridge and one squash too many, a victory over the giant no longer has the value it once held, save for a Strowman superplex. Disappearing now would allow audiences to forget the multiple missteps.

Contributor
Contributor

Michael is a writer, editor, podcaster and presenter for WhatCulture Wrestling, and has been with the organisation nearly 8 years. He primarily produces written, audio and video content on WWE and AEW, but also provides knowledge and insights on all aspects of the wrestling industry thanks to a passion for it dating back over 35 years. As one third of "The Dadley Boyz" Michael has contributed to the huge rise in popularity of the WhatCulture Wrestling Podcast and its accompanying YouTube channel, earning it top spot in the UK's wrestling podcast charts with well over 62,000,000 total downloads. He has been featured as a wrestling analyst for the Tampa Bay Times, GRAPPL, GCP, Poisonrana and Sports Guys Talking Wrestling, and has covered milestone events in New York, Dallas, Las Vegas, Philadelphia, London and Cardiff. Michael's background in media stretches beyond wrestling coverage, with a degree in Journalism from the University Of Sunderland (2:1) and a series of published articles in sports, music and culture magazines The Crack, A Love Supreme and Pilot. When not offering his voice up for daily wrestling podcasts, he can be found losing it singing far too loud watching his favourite bands play live. Follow him on X/Twitter - @MichaelHamflett