Exposing The Modern Myth About WWE WrestleMania

Shane McMahon Braun Strowman
WWE

WrestleMania - for all its majesty and pageantry - was surplus to requirements full stop when it came to one of the best and most carefully crafted WWE storylines in forever. Weeks later, the final battle between the two drew SmackDown's best rating of the year too.

For more than how it benefitted Hell In A Cell and WWE's billion dollar relationship with Fox, holding back on the big one between Bayley and Sasha Banks might have sealed the feud in WrestleMania lore, but now it existed with a lore unto itself. The proper kind too, not the sort people use to try and tie together six mindless Fiend promos.

Waiting would have been wasteful, because no matter what we think of WrestleMania, WWE themselves will always be leaning on the likes of Shane McMahon Vs Braun Strowman instead. There was no giant (or two-night) card for the match to get lost in the shuffle, or fall victim to audience exhaustion, or lose time because Triple H's motorbike entrance needs prepping.

WWE relies on mythology to sell the magnitude of WrestleMania, whilst obscuring the myth that it's the be-all end-all in the modern age. Sasha Banks and Bayley's story will be studied in years to come by those looking to replicate its refinery. Meanwhile, McMahon and Strowman's rivalry will be confined to the bin regardless of the height of Shane's fall on the night.

The only time McMahon approaches "down to earth" is midway through one of those insane stunts, and it always ends with a thud. It's not new, it's not fresh and crucially, it's not creative, but it is what WrestleMania stands for in the Network/Peacock era. By all means root for your favourites to get their big night on the big stage, but stop to enjoy the stuff along the way if they're doing it well - those are the real Moments™ that'll live forever, with or without the corporate branding.

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Stephanie Shane McMahon
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Michael is a writer, editor, podcaster and presenter for WhatCulture Wrestling, and has been with the organisation over 7 years. He primarily produces written, audio and video content on WWE and AEW, but also provides knowledge and insights on all aspects of the wrestling industry thanks to a passion for it dating back over 30 years. As one third of "The Dadley Boyz", Michael has contributed to the huge rise in popularity of the WhatCulture Wrestling Podcast, earning it top spot in the UK's wrestling podcast charts with well over 50,000,000 total downloads. He has been featured as a wrestling analyst for the Tampa Bay Times and Sports Guys Talking Wrestling, and has covered milestone events in New York, Dallas, Las Vegas, London and Cardiff. Michael's background in media stretches beyond wrestling coverage, with a degree in Journalism from the University Of Sunderland (2:1) and a series of published articles in sports, music and culture magazines The Crack, A Love Supreme and Pilot. When not offering his voice up for daily wrestling podcasts, he can be found losing it singing far too loud watching his favourite bands play live. Follow him on X/Twitter - @MichaelHamflett