How WWE Missed A HUGE Opportunity With Jon Moxley

Jon Moxley 10
AEW

Despite their obvious similarities as babyface headliners, it is interesting to observe how AEW are booking Jon Moxley with what appears to be the literal opposite motivation to how WWE handled 'The Champ' during his peak years.

John Cena was box office beyond anybody in his era - a ticket seller, a merchandising machine and and a man that maintained ratings even if he couldn't always grow them - but he was the strong jaw at the front of an enormous philosophical shift that exists to this day. With Cena saluting front and centre, WWE became about the brand more than "the boys". Tell people you love "WWE" rather than "The Rock". Buy a ticket to WrestleMania eight months before the first match is announced. Turn up at a house show because they're in your town, not because you want to see a star.

Cena was a generation's Hulk Hogan or Stone Cold Steve Austin, but their departures from the company a decade apart drilled the message into Vince McMahon that his company initials needed to be on the marquee rather than a performer's face.

As a nascent and upstart organisation that understands the need for this to be reversed, AEW has made a conscious effort to bring the stars back to the business. It is this that makes the most of a man like Moxley in a way WWE seemed almost stubbornly determined not to do.

CONT'D...

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Michael is a writer, editor, podcaster and presenter for WhatCulture Wrestling, and has been with the organisation nearly 8 years. He primarily produces written, audio and video content on WWE and AEW, but also provides knowledge and insights on all aspects of the wrestling industry thanks to a passion for it dating back over 35 years. As one third of "The Dadley Boyz" Michael has contributed to the huge rise in popularity of the WhatCulture Wrestling Podcast and its accompanying YouTube channel, earning it top spot in the UK's wrestling podcast charts with well over 62,000,000 total downloads. He has been featured as a wrestling analyst for the Tampa Bay Times, GRAPPL, GCP, Poisonrana and Sports Guys Talking Wrestling, and has covered milestone events in New York, Dallas, Las Vegas, Philadelphia, London and Cardiff. Michael's background in media stretches beyond wrestling coverage, with a degree in Journalism from the University Of Sunderland (2:1) and a series of published articles in sports, music and culture magazines The Crack, A Love Supreme and Pilot. When not offering his voice up for daily wrestling podcasts, he can be found losing it singing far too loud watching his favourite bands play live. Follow him on X/Twitter - @MichaelHamflett