How WWE Should Debut The Elite

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Twitter, @KennyOmegamanX

Who could even seriously considered the timeline posited by the title of this article four years ago?

Kenny Omega, Hangman Page and The Young Bucks (alongside Cody Rhodes) were at the forefront of a revolution when All Elite Wrestling burst into life in 2019, with four of the key five taking Executive Vice President tags as well as working double duty as full time professional wrestlers. Inarguably the most important quintet alongside crucial outside force Chris Jericho when the product launched, the group drove forward an ethos and an idea that something else - a touring indie brand, a new Number Two in the North American mainstream, something else - was viable. Tony Khan was the man with the money and connections to make the dream a reality, but there'd been enough evidence for years from the key players that they'd already put foundational pillars in place.

As members of Bullet Club across New Japan Pro Wrestling, Ring Of Honor an the world's independents, the Jacksons, Omega, Rhodes and Page had managed to get merchandise into Hot Topic whilst transcending traveling wrestlers sales by constantly releasing new clobber via ProWrestlingTees. They worked everywhere, but threaded their matches and angles together via Being The Elite on YouTube and putting their own work above everything else on the shows they appeared on. Not that it wasn't to each booker's benefit - The Elite drew the house whenever they were in town, becoming must-see acts whether they had storyline ties to the territories or not.

They flouted conventions over and over again, but as the bigger picture started to form around 2018's historic and integral All In pay-per-view in Chicago, they were proven shrewd in doing so. Four years on, and could the only remaining unconventional move be to tackle the market leader's convention head on?

Per all the usual places, very possibly.

CONT'D...

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Contributor

Michael is a writer, editor, podcaster and presenter for WhatCulture Wrestling, and has been with the organisation over 7 years. He primarily produces written, audio and video content on WWE and AEW, but also provides knowledge and insights on all aspects of the wrestling industry thanks to a passion for it dating back over 30 years. As one third of "The Dadley Boyz", Michael has contributed to the huge rise in popularity of the WhatCulture Wrestling Podcast, earning it top spot in the UK's wrestling podcast charts with well over 50,000,000 total downloads. He has been featured as a wrestling analyst for the Tampa Bay Times and Sports Guys Talking Wrestling, and has covered milestone events in New York, Dallas, Las Vegas, London and Cardiff. Michael's background in media stretches beyond wrestling coverage, with a degree in Journalism from the University Of Sunderland (2:1) and a series of published articles in sports, music and culture magazines The Crack, A Love Supreme and Pilot. When not offering his voice up for daily wrestling podcasts, he can be found losing it singing far too loud watching his favourite bands play live. Follow him on X/Twitter - @MichaelHamflett