It's Official: A New Era Has Begun In NXT

Finding faces in a Universe full of heels.

Kyle O'Reilly
WWE.com

On a recent edition of NXT, The Undisputed Era's Kyle O'Reilly defeated Timothy Thatcher, Cameron Grimes, Bronson Reed and Kushida in a slightly convoluted gauntlet match to earn a shot at Finn Bálor's NXT Championship at TakeOver: 31.

There is something magnificently unspectacular about all of that.

Judging by online response - and where else is there to judge? - this was a popular decision. As was re-strapping the Champion that oversaw the original elevation of the brand from unknown quantity to barely-hidden gem half a decade ago.

Bálor/O'Reilly is as good as brand spanking new, reflects significant change at the top of the card, and interestingly looks set to main event a card free from the bells and whistles often deemed necessary to try and sell these supershows in the current era.

June's In Your House was a humongous hit with those that appreciated the nostalgia, whilst the thirtieth edition of the show in August added the faintest air of gravitas along with three giant X's to the barren set. Both were vastly improved from the catastrophic rearranged Tampa card, and all the actual TakeOvers feel worthier than the Great American Bash-esque television specials.

If all of that reads as a slightly complicated set of qualifiers about why this particular event kicks off a bold new journey for NXT, blame those in charge. "WE ARE NXT" might remain the calling card of the still-converted, but never has that felt quite as patently false. NXT categorically isn't NXT anymore, or if it is, it's time to reclassify what those letters now represent.

But a new era cannot be forged without understanding how the old one crumbled. And the events of just 12 months prior feel so long ago that they already appear in the mind's eye through a sepia Instagram filter.

CONT'D...

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Contributor
Contributor

Michael is a writer, editor, podcaster and presenter for WhatCulture Wrestling, and has been with the organisation over 7 years. He primarily produces written, audio and video content on WWE and AEW, but also provides knowledge and insights on all aspects of the wrestling industry thanks to a passion for it dating back over 30 years. As one third of "The Dadley Boyz", Michael has contributed to the huge rise in popularity of the WhatCulture Wrestling Podcast, earning it top spot in the UK's wrestling podcast charts with well over 50,000,000 total downloads. He has been featured as a wrestling analyst for the Tampa Bay Times and Sports Guys Talking Wrestling, and has covered milestone events in New York, Dallas, Las Vegas, London and Cardiff. Michael's background in media stretches beyond wrestling coverage, with a degree in Journalism from the University Of Sunderland (2:1) and a series of published articles in sports, music and culture magazines The Crack, A Love Supreme and Pilot. When not offering his voice up for daily wrestling podcasts, he can be found losing it singing far too loud watching his favourite bands play live. Follow him on X/Twitter - @MichaelHamflett