The Problem With Triple H That No One Wants To Talk About

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Indeed, should WWE's earnings hold, 'The Game' will find himself the recipient of enormous recency bias during the embryonic stages of his run as top dog.

Everybody has their biases, but even some of Hunter's fiercest detractors could draw conclusions from the August 1 Raw and identify the Triple H creative quirks replacing Vince McMahon's most obvious (and most exhausted) ones. Much could be rooted in circumstantial or convenient coincidence, but 'The Game' will claim every W he can. Especially with more folk likely to spill the beans on Vince McMahon's latter day misfires now he's finally f*cked off.

On SummerSlam alone, reports were that Vince McMahon had no intention of turning Becky Lynch face (despite the joyously logical conclusion to her saga with Belair), and had noped the Bayley stable idea more than once as her comeback grew nearer. These were Triple H ideas and based on fan reactions on the night and in the aftermath, they were very good ones. But again, the proof of the pudding will be in how much some greedy executives are eating. "Don't do what WWE does" felt like an early modus operandi for All Elite Wrestling's televised output, but in the conversation of television rights fees and brand recognition, there was no better model to follow. Indeed - the money offered to WWE in 2018 played a big role in convincing Tony Khan that there was space for an alternative to make bank too.

Triple H's trickiest plate-spinning act won't be taking things Vince McMahon had broken and fixing them bit by bit, but working out how so many of those broken things made WWE so much money. The Problem With Triple H That No One Wants To Talk About - not least during this period of curious optimism - is that what if he makes the company subjectively better and objectively worse all at the same time?

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Michael is a writer, editor, podcaster and presenter for WhatCulture Wrestling, and has been with the organisation over 7 years. He primarily produces written, audio and video content on WWE and AEW, but also provides knowledge and insights on all aspects of the wrestling industry thanks to a passion for it dating back over 30 years. As one third of "The Dadley Boyz", Michael has contributed to the huge rise in popularity of the WhatCulture Wrestling Podcast, earning it top spot in the UK's wrestling podcast charts with well over 50,000,000 total downloads. He has been featured as a wrestling analyst for the Tampa Bay Times and Sports Guys Talking Wrestling, and has covered milestone events in New York, Dallas, Las Vegas, London and Cardiff. Michael's background in media stretches beyond wrestling coverage, with a degree in Journalism from the University Of Sunderland (2:1) and a series of published articles in sports, music and culture magazines The Crack, A Love Supreme and Pilot. When not offering his voice up for daily wrestling podcasts, he can be found losing it singing far too loud watching his favourite bands play live. Follow him on X/Twitter - @MichaelHamflett