The Real Reason Wrestling Has Never Been So Hard To Watch

Nation Of Isolation.

WWE SmackDown Performance Center
Twitter/WWE

Thursday is a rather communal day amongst the wrestling fanbase, even if the entirety of Wednesday Night is framed around a ratings war between two hugely different organisations.

The weekly battle between NXT and AEW has brought out a competitive edge in fans of the shows that both companies will be grateful for - they are still the ruling class, we are still the peasants fighting over the scraps, after all - but the loyalty and debate is borne of a belief that something last night was just really, really good. NXT on USA Network has thus far been a cathartic continuation of the brand's attempt to be a hybrid of all the things WWE were once so good at enhanced by Triple H's favourite wrestlers from the independent scene and the odd Performance Center standout. Meanwhile, All Elite Wrestling has mined a core base of talent from New Japan Pro Wrestling and Ring Of Honor and pillaged just as much from that same indie scene. I Cody & Co's case, they've instead invited wrestlers into an ostensibly collaborative process that welcomes exchange of ideas between parties that have a mutual understanding of what their audience wants.

Approximately 1.6m (at least) on television alongside others watching via other means have proven that an audience exists for both. They're different shows with hugely different and divergent moving parts, but they're billionaire-backed and here, long haul, to provide most wrestling fans with at least one weekly product they can wholly and earnestly enjoy. And that's what Thursday is; the day to reflect upon how funny Chris Jericho was, or who Keith Lee pounced into space, or why, with wonderfully pathetic pettiness, my show was better than your show and vice versa.

Or it was, before it became about a) reflecting on if either one should have even happened last night and b) asking people not to spoil WrestleMania.

CONT'D...

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Contributor

Michael is a writer, editor, podcaster and presenter for WhatCulture Wrestling, and has been with the organisation over 7 years. He primarily produces written, audio and video content on WWE and AEW, but also provides knowledge and insights on all aspects of the wrestling industry thanks to a passion for it dating back over 30 years. As one third of "The Dadley Boyz", Michael has contributed to the huge rise in popularity of the WhatCulture Wrestling Podcast, earning it top spot in the UK's wrestling podcast charts with well over 50,000,000 total downloads. He has been featured as a wrestling analyst for the Tampa Bay Times and Sports Guys Talking Wrestling, and has covered milestone events in New York, Dallas, Las Vegas, London and Cardiff. Michael's background in media stretches beyond wrestling coverage, with a degree in Journalism from the University Of Sunderland (2:1) and a series of published articles in sports, music and culture magazines The Crack, A Love Supreme and Pilot. When not offering his voice up for daily wrestling podcasts, he can be found losing it singing far too loud watching his favourite bands play live. Follow him on X/Twitter - @MichaelHamflett