The Real Reason Wrestling Has Never Been So Hard To Watch

Steve Austin Becky Lynch
WWE.com

WWE took the lead on keeping weekly television live with its March 13th edition of SmackDown, but a bizarrely enjoyable time has already been made ancient by the rapidly-changing news cycle

There was an end-of-term feel about the thing (in contrast, at least, to an end-of-the-world one), with Triple H f*cking around with Michael Cole and cameras, John Cena and The Fiend suiting the silence and Daniel Bryan and Cesaro uppercutting each other for literally nobody beyond those in the building when the show cut to break, but the novelty was destined to wear off within days.

Three, to be precise.

The 16th March Raw was a more responsible offering, but the entire 2020 Royal Rumble filling the bulk of the broadcast and Steve Austin and Byron Saxton p*ssing about in a turgid turd of a closing segment was a more realistic realisation of the problems at play. AEW Dynamite on March 18th was the best of the bunch, with wrestlers in the stands making noise in place of an audience and two reveals in Brodie Lee and Matt Hardy that provided the pretence of talking points for people beyond the single obvious one that fills our screens most days. NXT that same night, in your writer's opinion, was better still, because as a highlights show, nobody had to f*cking touch each other or go into work because wrestlers aren't key workers.

They still aren't, no matter how much of a relief their brand of entertainment might provide for some. The world continued to slow down by the day, but wrestling found a way to carry on in this strange, zombified state.

Does anybody still want this? Or more importantly, with health at significant risk, does anybody need it?

CONT'D...

Advertisement
 
Posted On: 
Contributor
Contributor

Michael is a writer, editor, podcaster and presenter for WhatCulture Wrestling, and has been with the organisation over 7 years. He primarily produces written, audio and video content on WWE and AEW, but also provides knowledge and insights on all aspects of the wrestling industry thanks to a passion for it dating back over 30 years. As one third of "The Dadley Boyz", Michael has contributed to the huge rise in popularity of the WhatCulture Wrestling Podcast, earning it top spot in the UK's wrestling podcast charts with well over 50,000,000 total downloads. He has been featured as a wrestling analyst for the Tampa Bay Times and Sports Guys Talking Wrestling, and has covered milestone events in New York, Dallas, Las Vegas, London and Cardiff. Michael's background in media stretches beyond wrestling coverage, with a degree in Journalism from the University Of Sunderland (2:1) and a series of published articles in sports, music and culture magazines The Crack, A Love Supreme and Pilot. When not offering his voice up for daily wrestling podcasts, he can be found losing it singing far too loud watching his favourite bands play live. Follow him on X/Twitter - @MichaelHamflett