The Rise & Fall Of WWE NXT

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WWE.com

The transformative effect NXT had on the overall WWE fan experience was mesmerising.

For years and years and years, World Wrestling Entertainment strived to exist in an area so grey that everybody just got lost in the fog. It became an accepted norm that John Cena - the top babyface - was hated by half the audience. That everybody you were told to invest in 11 months of the year would look at the lights for ancient favourites at WrestleMania. That Vince McMahon - and thus WWE - hated you so much that real life criticisms of the organisation were in fact a figment of your imagination and just part of the heat machine.

It was all nonsense, and 2014-2016 was the period Triple H categorically proved it behind nnnnnnnDadddd's back.

Talents that were under contract to WWE became the talk of the tastemakers for the first time since Vince McMahon bought his competition in 2001. NXT's weekly broadcast looked as much like a system as a show, but everybody loved it more as a result. The booking was simplistic but thoughtfully so, encouraging devoted audiences to love (or love hating) the talent so much that characters could simultaneously garner investment on NXT and generate support for them to eventually leave the show for Raw or SmackDown.

It's impossible to list every popular character and angle from a two year period of joyous creative, not least because it'd be easier to identify the performers that weren't over.

Trajectories were transparent, but never once felt repetitive because the gimmicks always got over and got on. The best of the bunch got featured on TakeOver specials that enhanced a meritocracy absent from other WWE shows for decades. And those shows got better, and better and better. Women's wrestling was as as good as it had ever been under a McMahon brand, and surpassed prior peaks with every passing match. Tag wrestling was reestablished as a crucial component, birthing several killer duos that existed to be tag teams rather than escape from them into a singles roles. Title reigns became sacred again, wrestlers became self-produced passion projects, and everything converged to become a product that, by 2015, was objectively a draw.

CONT'D...

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Michael is a writer, editor, podcaster and presenter for WhatCulture Wrestling, and has been with the organisation over 8 years. He primarily produces written, audio and video content on WWE and AEW, but also provides knowledge and insights on all aspects of the wrestling industry thanks to a passion for it dating back over 35 years. As one third of "The Dadley Boyz" Michael has contributed to the huge rise in popularity of the WhatCulture Wrestling Podcast and its accompanying YouTube channel, earning it top spot in the UK's wrestling podcast charts with well over 62,000,000 total downloads. Within the podcasting space, he also co-hosts Benno & Hamflett, In Your House! and Podcast Horseman: The BoJack Horseman Podcast. He has been featured as a wrestling analyst for the Tampa Bay Times, Fightful, POST Wrestling, GRAPPL, GCP, Poisonrana and Sports Guys Talking Wrestling, and has covered milestone events in New York, Dallas, Las Vegas, Philadelphia, London and Cardiff. Michael's background in media stretches beyond wrestling coverage, with a degree in Journalism from the University Of Sunderland (2:1) and a series of published articles in sports, music and culture magazines The Crack, A Love Supreme and Pilot. When not offering his voice up for daily wrestling podcasts, he can be found losing it singing far too loud watching his favourite bands play live. Follow him on X/Twitter - @MichaelHamflett