The Secret Link Between AEW & WWE Nobody Is Talking About

Summerslam 92 Wembley
WWE

All In London already feels like an elusive cultural moment for All Elite Wrestling.

In a time where hobbies, interests and subcultures have never been more fragmented, it's particularly impressive that the group have captured something with more ambition that WWE dared achieve even with a healthy number attending Clash At The Castle in 2022.

The market leader knocked back the opportunity to run the show in favour of a Cardiff deal that worked out fabulously for everybody involved, but failing to capitalise on the sentimentality of SummerSlam's 30th anniversary was disheartening. Such is the way of a company that doesn't need to galvanise its support as they did back in 1992. SummerSlam's lasting legacy wasn't just one great night for Davey Boy Smith et al, but a footprint left behind in a monster market and generations of fans created in the process. AEW is doing the same thing three decades later.

Wembley's attendance will feature hardcores and casuals alike, as well as friends and loved ones of those that actually want to attend, and curious on-the-day floating voters and those that might just see an advert for the event that morning. It will temporarily grab England's capital city and own it like never before. It'll attempt to reclaim the shorthand for "wrestling" in its own image with the best possible visual accompaniment.

These are no longer conversations, ideas or thought experiments happening in America for AEW and Tony Khan, just as they weren't for WWE and Vince McMahon in 1992. Ignoring the laundry list of aesthetic, aural and direct financial benefits to feeding a starving audience with the best version of your product, Khan could do what McMahon was able to back then - make his show look like the biggest it's ever been. That stretches beyond amazing ticket sales, attendance numbers and maybe even incredible matches on the night.

That puts down foundations forever. "Challenger brand" might suit AEW domestically, but - like "the SummerSlam you thought you'd never see", All In will be an industry earthquake, a statement of intent, and 60,000+ memories made to last a lifetime. All Elite Wrestling has made waves learning from all of its opposition's mistakes in recent years. Now it's time to do the same with one of their biggest successes too.

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Michael is a writer, editor, podcaster and presenter for WhatCulture Wrestling, and has been with the organisation nearly 8 years. He primarily produces written, audio and video content on WWE and AEW, but also provides knowledge and insights on all aspects of the wrestling industry thanks to a passion for it dating back over 35 years. As one third of "The Dadley Boyz" Michael has contributed to the huge rise in popularity of the WhatCulture Wrestling Podcast and its accompanying YouTube channel, earning it top spot in the UK's wrestling podcast charts with well over 62,000,000 total downloads. He has been featured as a wrestling analyst for the Tampa Bay Times, GRAPPL, GCP, Poisonrana and Sports Guys Talking Wrestling, and has covered milestone events in New York, Dallas, Las Vegas, Philadelphia, London and Cardiff. Michael's background in media stretches beyond wrestling coverage, with a degree in Journalism from the University Of Sunderland (2:1) and a series of published articles in sports, music and culture magazines The Crack, A Love Supreme and Pilot. When not offering his voice up for daily wrestling podcasts, he can be found losing it singing far too loud watching his favourite bands play live. Follow him on X/Twitter - @MichaelHamflett