The Secret Link Between AEW & WWE Nobody Is Talking About

Omega Moxley
AEW

Two weeks out from Double Or Nothing 2023 - effectively the fourth anniversary of the organisation and a tent pole event as a result - Las Vegas’ T-Mobile Arena has 3,000 tickets still available from a possible 10,000, which is scaled down from the venue's 20,000. The May 10th AEW Dynamite headlined by a Jon Moxley/Kenny Omega steel cage match felt like a conscious effort to address a ratings decline for the flagship show. May 3rd’s pulled 776,000 with a 0.28 in the key demo. Yet, in the same 24-hour period that number dropped, so too did Tony Khan’s tweet that AEW had sold 60,000 tickets for All In for a gate of $6.1m. These contrasts are surprising but not shocking. Both things can be true. And they were in 1992, too.

It had been over three years since WWE started running dates in the United Kingdom, but nothing on the scale of Wembley. The company had broadcast four live specials between 1989 and SummerSlam '92, and had been moved to hold the pay-per-view when they did because business had been so strong on a tour earlier that year. Post WrestleMania dates in Manchester, London, Brighton, Birmingham and elsewhere leading up to the Sheffield Arena's televised UK Rampage show did monster gates compared to those on home soil, and UK fans were buying merchandise at a rate comparable to the original Hulkamania boom in the 1980s.

Culturally, WWE was experiencing its second British boom, but 1992's was arguably bigger than the original Hogan/Warrior surge in the late-80s. Companies making sticker albums were saved from bankruptcy by the sheer volume of WWE sets being completed, Simon Cowell dragged wrestlers into the studio to get a novelty song out in time for Christmas, and Wembley's worked 80,355 attendance figure wasn't that giant a leap from the legitimate figure.

If WWE was struggling to keep or build momentum at home, you wouldn't know it from the state of things in their second-biggest market. AEW, with a near-identical timeframe, have pounced on the same opportunity.

CONT'D...

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Michael is a writer, editor, podcaster and presenter for WhatCulture Wrestling, and has been with the organisation nearly 8 years. He primarily produces written, audio and video content on WWE and AEW, but also provides knowledge and insights on all aspects of the wrestling industry thanks to a passion for it dating back over 35 years. As one third of "The Dadley Boyz" Michael has contributed to the huge rise in popularity of the WhatCulture Wrestling Podcast and its accompanying YouTube channel, earning it top spot in the UK's wrestling podcast charts with well over 62,000,000 total downloads. He has been featured as a wrestling analyst for the Tampa Bay Times, GRAPPL, GCP, Poisonrana and Sports Guys Talking Wrestling, and has covered milestone events in New York, Dallas, Las Vegas, Philadelphia, London and Cardiff. Michael's background in media stretches beyond wrestling coverage, with a degree in Journalism from the University Of Sunderland (2:1) and a series of published articles in sports, music and culture magazines The Crack, A Love Supreme and Pilot. When not offering his voice up for daily wrestling podcasts, he can be found losing it singing far too loud watching his favourite bands play live. Follow him on X/Twitter - @MichaelHamflett